The complete programme of the 2007 MaerzMusik

MaerzMusik

Exhibitions

The trilogy’s artistic discourse concerning the meaning of towers as symbols of power begins with the starvation tower of the Middle Ages, goes on to the watchtowers of totalitarian regimes and finally reaches the globally ruling bank towers of our time. The discourse of all three parts is about an ambivalent outside-inside relation, between control and self-control, power and powerlessness. turmlaute.1 presented in 2006 in Frankfurt/mousonturm and in Olevano Rom./IT is isolating and introspective. The new part turmlaute.2, installed in a former border watchtower of the GDR, on the other hand is controlling and extrospective: With the help of two laser sensors the passers-by outside are detected through tow loopholes from the so-called ‘lounge’. In a quasi-interactive way they trigger sound formations in the ‘observation room’ and text/image formations in the room below. The floor-to-ceiling windows in the observation room are painted in the green of military night vision devices, so that, from the inside, the view of the outside realities is not only acoustically but also visually ‘coloured’. In a chamber on the ground floor the first part of Turmtrilogie is installed.

Ausstellung

Exhibition

MaerzMusik 2007

Grenzwachturm Schlesischer Busch

Klanginstallation Georg Klein

Georg Klein

RÉSEAU VARÈSE: An Ambition of European Cultural Cooperation

foreland to the ‘highlights’ are represented by radar tuning forks hanging from the ceiling on steel cables. The tuning forks are distributed in the geographically accurate scale of 1:33,000; the altitudes are converted into a linear elevated relief: the Sonnenberg as the farthest eastern peak of the Alps with 484m at ankle height, the Mont Blanc with 4,809m as the highest peak above head height. In analogy to the peaks they represent, the approx. 130 tuning forks are of different frequencies.The spectators wandering through the area of 24m x 13m walkable mountains can strike the tuning forks, which are about 25cm long and will ring for up to three minutes, and produce an ever-changing acoustic panorama of Europe’s youngest mountains, a floating sound relief.

Haus der Berliner Festspiele, Oberes Foyer

Haus der Berliner Festspiele, Upper&nbsp;Foyer

Klanginstallation Georg Nussbaumer

Georg Nussbaumer

Anton Bruhin is one of a rare species. He is an all-rounder – which today seems to be something extraordinary, even anachronistic, since apparently en vogue are the artists of the “overall piece”, the synaesthetes, the sonic artists or artist specialising in a certain genre. He watches, collects and rearranges, with a roundabout view of the world unimpeded by blinkers. Everything is useful. An old broken chair is reassembled and hung up on the wall, a baking grille is converted into a printing plate. Print characters are extracted from the context of written language, enlarged and examined with respect to their potential of image and object. Language, words and their meaning are subordinated to a strict pattern of antecedence and compendiums of palindromes are created. Painting, drawing, writing poetry, designing, making music are the parallel and sometimes crossing tracks of his being an artist. He switches subjects and forms of expression but remains authentic in every sphere. He is a globally renowned player of the mouth bow without any reservations towards different stylistic realms. He performs as a soloist in bands, plays the Swiss “L&auml;ndler” as well as jazz, improvisational and classical music, explores the mouth as a resonance cave, collects mouth bows of every kind and builds his own ones. The painter Bruhin paints “juicy hams from Hungary” – the ironic title of his most recent exhibition in Zurich (Galerie + Edition Marlene Frei, Zurich). Oil paintings, panoramas, always with a view on meadows, on fields, hilly landscapes on the horizon, blue skies with clouds and, of course, the obligatory bales of straw. Always the same theme, a pattern apparently, but always different. His calligraphies are sheets of paper all covered with feathery in-between beings: letters, musical notes, pictures or moving minimal objects? As a drawer he creates ink drawings on paper, full of imagination and humour, like comics, containing undisguised allusions to other masters of ambiguity and the play with the uncertainty of meaning. “Yellow music” will show some of these drawings as well as samples of his typographies, pictographs and one very special object – the schematoid.

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Ausstellung Anton Bruhin

Anton Bruhin

Kalender 2007

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Calendar 2007

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The 2025 MaerzMusik will take place from 21 to 30 March 2025. The programme will be published in January.

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Concerts, Performances, Installations, Discourse Formats

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MaerzMusik 2024: Impressionen

Jazzfest Berlin 2023: Impressions

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Impressions

MaerzMusik 2024

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For more than three decades, Rirkrit Tiravanija has been expanding the possibilities of what can happen in an exhibition space. In “DAS GL&Uuml;CK IST NICHT IMMER LUSTIG” (Happiness is not always fun), the Gropius Bau presents more than 80 of the artist’s works in which Tiravanija often refers to cultural clichés and politics in Germany.

Rirkrit Tiravanija: DAS GL&Uuml;CK IST NICHT IMMER LUSTIG

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Young musical talents from all over Germany have applied for the Treffen junge Musikszene competition. A total of 13 acts, including four bands, one duo and eight soloists, will be invited to the festival. This year’s selection is very diverse and energetic, with a wide range of styles and bold experiments.

Treffen junge Musikszene

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Simple, almost sparse movements – fluid and highly dynamic, with countless repetitions and variations – characterise “Dance”. This piece by choreographer Lucinda Childs premiered in 1979 and amalgamates dance, music by Philip Glass and projections by Sol LeWitt into a meditative rapture. &nbsp;

Dance

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“MOMO” has two souls. One sends long roots to the depths of the earth – a soul that embodies archetypes and myths of hardened, raw masculinity, and the other is in a constant search for an individual and distinct DNA. A shared passion of deep sorrow and beauty unfolds on stage.

MOMO

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In an austere landscape, a droll group of travellers discovers “The Garden of Delights” (Le jardin des délices) by French director and set designer Philippe Quesne and his Vivarium Studio. They recollect fragments of past culture and imagine themselves in the utopia of a different life in uncertain times.

The Garden of Delights

Young musical talents from all over Germany have applied for the Treffen junge Musikszene competition. A total of 13 acts, including four bands, one duo and eight soloists, will be invited to the festival. This year’s selection is very diverse and energetic, with a wide range of styles and bold experiments.&nbsp;The programme has been published and tickets are available now.

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A Play Space for Kids

Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an admission-free play space for kids at the Gropius Bau. Here, the everyday rules of art institutions don’t apply: children have free reign and can have fun.

BAUBAU

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With three works created over a period of more than 40 years, the Performing Arts Season dedicates an evening to the American choreographer Trisha Brown, looking at her artistic work and its continuation after her death in 2017 as if under a magnifying glass.

Glacial Decoy / In the Fall / Working Title

MaerzMusik sees itself as a place to exchange artistic knowledge(s) through new encounters and collective experiences. The festival is rooted in the multimodality of listening, contemporary music, and sound, employing concerts, performances, installations, music theatre, film screenings, and discursive formats to open up a space where life, art, and theory can co-exist.

About MaerzMusik

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For its 50th birthday, the GRM’s Acousmonium is visiting MaerzMusik. Find out more about the loudspeaker orchestra designed by François Bayle in our multimedia story, check out interviews with artists such as KMRU, Eiko Ishibashi and Jim O'Rourke, and listen to a selection of pieces by composers like Beatriz Ferreyra, Iannis Xenakis and Eve Aboulkheir.

The Loudspeaker Orchestra: Acousmonium

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Missed a concert? After the festival, you can log on to the Berliner Festspiele media library to experience some of this year's events as audio or video. You can also check out interviews with artists such as Jessica Ekomane and Ensemble Musikfabrik, who provide insight into their work – from public interventions with carillons to the elaborate reconstruction of instruments by composer Lucia Dlugoszewski.

MaerzMusik in the Media Library

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“Contemplations into the Radical Others” is an attempt to tell the story of composer and instrument inventor Lucia Dlugoszewski (1925–2000). In the last two years, MaerzMusik and collaborators engaged in extensive research on her work. Find out more about the research project here.

Contemplations into the Radical Others: The Life of Lucia Dlugoszewski

Mehr zur MaerzMusik 2024

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Upcoming Events

The festival commences with an immersive auditory experience, reviving a pivotal moment in the history of new and experimental music through INA grm – Groupe de Recherches Musicales’ Acousmonium. To celebrate the 50th anniversary of François Bayle’s invention, we will showcase compositions for the loudspeaker orchestra by composers such as Beatriz Ferreyra, Eve Aboulkheir, François Bayle and others. EnsembleKollektiv Berlin explores the realm of conscientious listening with works by Helmut Lachenmann as well as Michelle Lou and Ashkan Behzadi. The intergenerational narrative unfolds with Simon Steen-Andersen’s interpretation of Karlheinz Stockhausen’s “Musik im Bauch” performed by Les Percussions de Strasbourg. In this edition, we will continue our focus from last year on composer and artist Lucia Dlugoszewski: we have curated scores, including some unfinished ones, with Marco Blaauw and Christine Chapman that have been reconstructed by Ensemble Musikfabrik, rebuilt Dlugoszewski’s percussive instruments, and restaged works conducted for dance, performed by Berlin-based dancers in collaboration with Katherine Duke and the Erick Hawkins Company. Spread throughout the city, the series “Topographies of Hearing” features installations and interventions by Christina Kubisch, Jessica Ekomane, Audrey Chen and others. In navigating the uncharted territories of our collective futures, this year’s edition embraces the ongoing processes that are underway rather than fixating on conclusive ideas.We look forward to experiencing MaerzMusik 2024 with you!

MaerzMusik 2024 is positioning itself as an open-ended experience centred on conscientious listening, while also highlighting the constantly evolving tapestry of musical interplay among different generations and movements. With the ensembles, artists, musicians and composers invited, the festival examines the multi-layered potential of music through a programme that dovetails with the performing arts, sound, artistic interventions and more.

MaerzMusik 2024

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Trailer MaerzMusik 2024, Design: 3pc

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MaerzMusik will take place from 21 to 30 March 2025 under the artistic direction of Kamila Metwaly. The 24th festival edition will open with the multimedia music theatre production <a href="${link:{uuid:{f8e2f59f-baea-44c9-9162-3afee63c40ab},repository:{website},path:{/bfs-de/maerzmusik/programm/2025/kalender/melencolia}}}">“MELENCOLIA – A Show Against the Indifference of the Universe”</a> by Brigitta Muntendorf and Moritz Lobeck at Haus der Berliner Festspiele. The work, commissioned by the Bregenz Festival and Ensemble Modern, will celebrate its German premiere at MaerzMusik in cooperation with the Staatsoper Unter den Linden. Immersed in 3D soundscapes, performers from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden take listeners into a deep exploration of enigmatic, melancholic worlds where reality and virtuality are combined on stage.Over the following nine festival days, further multidisciplinary projects and concerts will be presented that transcend traditional dualisms, presenting new interrelational perspectives that underscore the profound interconnectedness of social, technological and ecological systems. Here, music and sound move beyond binary frameworks, reshaping our understanding of relational experience and opening pathways to a more unified perception of existence and listening.Central to this artistic exploration is Enno Poppe’s new composition “Streik“ for ten drum sets, which poses the question: What happens when a solo instrument is multiplied many times? Another perspective on percussion as well as a reflection on the power of breath is offered by the work “POETICA” by Chaya Czernowin, composed for Steven Schick and Les Percussions de Strasbourg. “Minor Characters” by Jennifer Walshe and Matthew Shlomowitz will be presented by Ensemble Nikel in their festival debut, alongside “Limina / Sensation 1” by Mark Barden and Ligia Lewis. And we are looking forward to the new work “Drifting to the Rhythms at the Southeast of Nowhere” by the Berlin-based duo Nguyễn + Transitory, which will be developed this winter in Thailand in collaboration with dance artists from Chiang Mai.MaerzMusik 2025 will also present works by Jad Atoui, Wojtek Blecharz, Raven Chacon, Susie Ibarra, Mazen Kerbaj, Panayiotis Kokoras, Kuba Krzewiński, Joan La Barbara, Catherine Lamb, George Lewis, Liza Lim, Wadada Leo Smith, Ute Wassermann, Pamela Z and others, alongside ensembles that include Percussion Orchestra Cologne, Synaesthesis, Yarn/Wire and The Monochrome Project. Together, composers, artists and musicians will push the boundaries of sound, inviting audiences to explore new, transformative possibilities in contemporary music.Tickets for “MELENCOLIA” are available now. Advance ticket sales for further programme highlights will start at the beginning of January. The complete festival programme will be published on 9 February.

MaerzMusik 2025

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A Show Against the Indifference of the Universe

MaerzMusik 2025 opens with “MELENCOLIA”, an experimental music theatre show by Brigitta Muntendorf and Moritz Lobeck. In immersive soundscapes, musicians from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden invite the audience to explore the creative and transformative power of melancholic worlds. Tickets are available now.

MELENCOLIA

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MaerzMusik sees itself as a venue for experiencing art: for new encounters and collective reflection. Devised from the perspective of listening and sustained by contemporary music, the festival uses concerts, performances, installations, music theatre, film presentations and discursive formats to open up a space where life, art and theory can converge.

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Dar&uuml;ber hinaus geht es hier zu den folgenden Seiten: 
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MaerzMusik 2007 took place from 14 to 26 March 2007.

The complete programme of the 2007 MaerzMusik

Programm 2007

2007

Programme 2007

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The Berliner Festspiele organise a range of festivals and art exhibitions, concerts, dance and theatre performances, readings, lectures, debates and much more throughout the year. These events are presented at a range of locations across Berlin but are concentrated primarily at their own two venues: the Gropius Bau and the Haus der Berliner Festspiele.

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Der schnellste Weg zu unseren Festivals, Ausstellungen und Programmreihen: The quickest way to our festivals, exhibitions and programme series:<ul> <li><a href="${link:{uuid:{55f81055-59ad-4284-b7c4-a3019f95610e},repository:{website},path:{/bfs-de/gropius-bau}}}">Gropius&nbsp;Bau</a></li></ul><ul> <li><a href="${link:{uuid:{26e11d22-b6fe-47cb-a18a-b6b29d9136a7},repository:{website},path:{/bfs-de/jazzfest-berlin}}}">Jazzfest&nbsp;Berlin</a></li> <li><a href="${link:{uuid:{3295227e-266e-442b-9094-c484230f623f},repository:{website},path:{/bfs-de/maerzmusik}}}">MaerzMusik</a></li> <li><a href="${link:{uuid:{6633a1a2-5791-4d37-85a7-e0b06fa105f2},repository:{website},path:{/bfs-de/musikfest-berlin}}}">Musikfest&nbsp;Berlin</a></li> <li><a href="${link:{uuid:{af5afe78-6bdd-4e71-aae7-9589124d87bd},repository:{website},path:{/bfs-de/performing-arts-season}}}">Performing Arts Season</a></li> <li><a href="${link:{uuid:{fa672cb2-855e-469b-8212-4dec36fe248c},repository:{website},path:{/bfs-de/theatertreffen}}}">Theatertreffen</a></li> <li><a href="${link:{uuid:{4edae657-6eda-4c0e-bca1-0ce354742029},repository:{website},path:{/bfs-de/treffen-junge-szene}}}">Treffen junge Szene</a>&nbsp;</li></ul>Dar&uuml;ber hinaus geht es hier zu den folgenden Seiten: In addition, click here to go to the following pages:<ul> <li><a href="${link:{uuid:{f9e53754-08cb-44b3-8aef-d1bc11968779},repository:{website},path:{/bfs-de}}}">Startseite</a>&nbsp;(Home Page)</li> <li><a href="${link:{uuid:{9e5a1240-2f96-4b76-be7b-a8c3f2a22bbd},repository:{website},path:{/bfs-de/programm/kalender}}}">Kalender</a>&nbsp;(Calendar)</li> <li><a href="${link:{uuid:{1c781ff7-4d77-4925-af10-b8f846eb2b8a},repository:{website},path:{/bfs-de/besuch/anfahrt-kontakt}}}">Anfahrt &amp; Kontakt</a>&nbsp;(Visit &amp; Contact)</li> <li><a href="https://tickets.kbb.eu/kbb.webshop/webticket/shop?language=de">Webshop</a>&nbsp;(Online Shop)</li></ul>Falls das auch nicht hilft, finden Sie unsere Veranstaltungen auch auf externen Seiten: If that doesn't help you can find our event on external pages:<ul> <li><a href="http://www.berlin-buehnen.de/de/spielplan/?locations=80" target="_blank" title="Berlin B&uuml;hnen">Berlin B&uuml;hnen</a></li> <li><a href="http://www.museumsportal-berlin.de/de/museen/martin-gropius-bau/#section-exhibitions" target="_blank" title="Museumsportal Berlin">Museumsportal Berlin</a></li></ul>M&ouml;chten Sie uns helfen? Schicken Sie uns gerne eine Nachricht mit dem Hinweis, wo der Fehler aufgetreten ist: You want to help us? Please send us a message with a hint where the error occurred: <a href="mailto:online-plattformen@berlinerfestspiele.de">online-plattformen@berlinerfestspiele.de</a><ul></ul>

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You can listen to some of our events this year digitally in the Berliner Festspiele Media Library after the live concerts.&nbsp;In addition, On Demand offers from past years are available.

Musikfest Berlin in the Media Library

In the Media Library