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Reflexes & Reflections

Key Visual Reflexes & Reflections 2025

4-Day Focus at the Haus der Berliner Festspiele, curated by Saba-Nur Cheema and Meron Mendel

Reflexes & Reflections 2026

Reflexes & Reflections 2026 will take place from 27 August to 30 August.

Save the date!

Impressions 2025

  • Dancers lie on the stage, legs drawn up and one arm stretched upwards.

    Freedom Sonata by Emanuel Gat

    © Julia Gat

  • The Installation of Hito Steyerl, Giorgi Gago Gagoshidze und Miloš Trakilović.

    MISSION ACCOMPLISHED: BELANCIEGE. By Hito Steyerl, Giorgi Gago Gagoshidze and Miloš Trakilović.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • A photo of the Reflexe&Reflexionen stage.

    Opening with Jeffrey Goldberg

    © Berliner Festspiele, photo: Fabian Schellhorn

  • A photo from the event. Four people are sitting in chairs on a stage. They are engaged in a discussion.

    Who Can Have a Stage? On Artistic Freedom and Deplatforming. Panel with Elke Buhr, Emanuel Gat, Nora Sternfeld, Deniz Yücel.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Stefan Niggemeier, Hasnain Kazim, Mithu Sanyal und Gilda Sahebi on the panel talk.

    Who Has the Last Word? The Power of Personal Testimony in Public Debate. Panel with Hasnain Kazim, Gilda Sahebi, Mithu Sanyal, Stefan Niggemeier.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Five dancers striking athletic poses on a dark stage.

    Freedom Sonata by Emanuel Gat

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Max Uthoff and Enissa Amani on stage. Max Uthoff is laughing loudly, holding his head against his hand.

    Late-Night Programme with Max Uthoff and Enissa Amani

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Dancers lie on the stage, legs drawn up and one arm stretched upwards.

    Freedom Sonata by Emanuel Gat

    © Julia Gat

  • The Installation of Hito Steyerl, Giorgi Gago Gagoshidze und Miloš Trakilović.

    MISSION ACCOMPLISHED: BELANCIEGE. By Hito Steyerl, Giorgi Gago Gagoshidze and Miloš Trakilović.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • A photo of the Reflexe&Reflexionen stage.

    Opening with Jeffrey Goldberg

    © Berliner Festspiele, photo: Fabian Schellhorn

  • A photo from the event. Four people are sitting in chairs on a stage. They are engaged in a discussion.

    Who Can Have a Stage? On Artistic Freedom and Deplatforming. Panel with Elke Buhr, Emanuel Gat, Nora Sternfeld, Deniz Yücel.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Stefan Niggemeier, Hasnain Kazim, Mithu Sanyal und Gilda Sahebi on the panel talk.

    Who Has the Last Word? The Power of Personal Testimony in Public Debate. Panel with Hasnain Kazim, Gilda Sahebi, Mithu Sanyal, Stefan Niggemeier.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Five dancers striking athletic poses on a dark stage.

    Freedom Sonata by Emanuel Gat

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Max Uthoff and Enissa Amani on stage. Max Uthoff is laughing loudly, holding his head against his hand.

    Late-Night Programme with Max Uthoff and Enissa Amani

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Dancers lie on the stage, legs drawn up and one arm stretched upwards.

    Freedom Sonata by Emanuel Gat

    © Julia Gat

  • The Installation of Hito Steyerl, Giorgi Gago Gagoshidze und Miloš Trakilović.

    MISSION ACCOMPLISHED: BELANCIEGE. By Hito Steyerl, Giorgi Gago Gagoshidze and Miloš Trakilović.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • A photo of the Reflexe&Reflexionen stage.

    Opening with Jeffrey Goldberg

    © Berliner Festspiele, photo: Fabian Schellhorn

  • A photo from the event. Four people are sitting in chairs on a stage. They are engaged in a discussion.

    Who Can Have a Stage? On Artistic Freedom and Deplatforming. Panel with Elke Buhr, Emanuel Gat, Nora Sternfeld, Deniz Yücel.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Stefan Niggemeier, Hasnain Kazim, Mithu Sanyal und Gilda Sahebi on the panel talk.

    Who Has the Last Word? The Power of Personal Testimony in Public Debate. Panel with Hasnain Kazim, Gilda Sahebi, Mithu Sanyal, Stefan Niggemeier.

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Five dancers striking athletic poses on a dark stage.

    Freedom Sonata by Emanuel Gat

    © Berliner Festspiele, photo: Fabian Schellhorn

  • Max Uthoff and Enissa Amani on stage. Max Uthoff is laughing loudly, holding his head against his hand.

    Late-Night Programme with Max Uthoff and Enissa Amani

    © Berliner Festspiele, photo: Fabian Schellhorn

Reflexes & Reflections in the Media Library

On the future of debate culture: The videos of the second edition of “Reflexes & Reflections” with lectures, discussions and a late-night programme are available in the Media Library.

To the Media Library
Visual Berliner Festspiele Mediathek

About Reflexes & Reflections

The “Reflexes & Reflections” theme days are a programme series organised by Berliner Festspiele. In times of increasing polarisation of social debates, it aims to create open and controversial spaces for discussion. “Reflexes & Reflections” brings together artistic and discursive positions to negotiate social problems and contentious issues.

Read more

More Berliner Festspiele

Black-and-white portrait of a man touching his eye with his right hand.

Exhibition

Peter Hujar / Liz Deschenes: Persistence of Vision

19 March to 28 June 2026

Working in New York City between the Stonewall uprising of 1969 and the onset of the AIDS crisis in the 1980s, Peter Hujar captured a pivotal cultural moment in piercing black-and-white photographs. In the exhibition Persistence of Vision, Hujar’s photographs are interspersed with contemporary works by New York City-based artist Liz Deschenes, opening up an intergenerational dialogue on photography. 

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Leila Hekmat: Roses Rising – The Movement

6 and 7 March 2026

How does the bourgeois longing for revolt take shape, when the faith in progress and reason is unsettled? Berlin-based artist and director Leila Hekmat explores this question in her newly commissioned performance Roses Rising – The Movement. Moving between concert and ballet, the piece transforms the space into a landscape hovering between bunker, rehearsal room and dreamscape and invites the audience to witness a dinner party unravel into a happening.