The complete programme of the 2012 MaerzMusik

MaerzMusik

Exhibitions

Ingrid Buschmann, Gabriele Knapstein – Kuratorinnen

Japanese composer and visual artist Ryoji Ikeda has conceived an exhibition for the Hamburger Bahnhof that, for the first time, compositionally unites the two symmetrical halls on the upper level of the museum’s east and west wings.

The exhibition’s title&nbsp;db&nbsp;(short for decibel) refers to this symmetry while simultaneously indicating the complementary relationship between the two exhibition spaces. Ikeda has designed the white room and the black room as counterparts, not only physically (brightness, color), but also conceptually and perceptually. The project is a composition in which time and space are shaped through minimal use of sound, light and visual elements. The exhibition db is the artist’s first solo exhibition in Germany. It is the latest project in the Works of Music by Visual Artists series, which Freunde Guter Musik Berlin has presented in collaboration with the Nationalgalerie Berlin since 1999 and, since 2002, also with MaerzMusik.

Ausstellung

Exhibition

MaerzMusik 2012

Nationalgalerie im Hamburger Bahnhof

Ausstellung Ryoji Ikeda

Ryoji Ikeda

QuerKlang

The concept of the&nbsp;Dream House&nbsp;took La Monte Young’s extremely minimal and at the same time expanding artistic ideas from the beginning of the 1960s to an apex. Together with Marian Zazeela he created a light-flooded house with a perpetual, space-filling sound – music that is alive and there to be experienced, which writes its own story and into which the listener can plunge, sort of like into a different life.

The&nbsp;Dream House&nbsp;is defined as a “continuous frequency environment in sound and light with singing from time to time”. Sound generators positioned in defined locations within the rooms of the&nbsp;Dream House&nbsp;create sine tones in very specific frequencies. Different intervals and chords result that overlap, interfere and create new vibrating patterns and audial images depending on where you are in the room. Slowly changing sustained tones, so-called drones, and intense magenta lighting create an atmosphere that makes it seem like time is standing still.The artists view the&nbsp;Dream House&nbsp;as a sort of organism, a special place that evolves with a life of its own, where continuous live sounds are created and where live concerts take place from time to time. Following the principle that musical atmosphere is a function of time, experiencing sounds and changing tonal frequencies over a long period of time is necessary in order to adjust one’s nervous system and sense of perception, and vibrate harmoniously with the frequencies of the environment, say the artists. Visitors to the Dream House are invited to stay a while and come back later.

Villa Elisabeth

Klang-Licht-Installation Dream House

Dream House

American composer and sound artist Maryanne Amacher was first invited to Berlin in 1980 to take part in&nbsp;F&uuml;r Augen und Ohren, an exhibition at the Academy of the Arts. She had submitted a project proposal for a »telephone concert« in which she, located in Berlin, would be connected to John Cage in New York, but technical issues prohibited the project from being realised. On 30th January 1980, however, a performance (without her presence) of&nbsp;Lecture on the Weather&nbsp;took place as part of the exhibition’s accompanying programme.

Lecture on the Weather&nbsp;– »a collaborative composition / performance with John Cage« was realised in 1975 as a work commissioned by the Canadian Broadcasting Corporation on the occasion of the USA’s bicentennial. The premiere was held on 15th June 1976. According to John Cage, the piece is concerned with work materials for a radio broadcast or theatre performance without a conductor: a preface, wind, rain and storm recordings, a film (negatives of drawings by Henry David Thoreau, the reading and singing of produced by Luis Frangella), in which lightning is portrayed through short projections of several text fragments by Thoreau and ad libitum the playing of instruments.Maryanne Amacher was responsible for the wind, rain and storm recordings.Following her death in 2009, Maryanne Amacher left behind an only fleetingly viewed archive stored in approximately 200 boxes. With Micah Silver’s and Bill Dietz’ assistance, it was possible to compile Maryanne Amacher’s recordings, sketches, notes on Lecture on the Weather for display in an exhibition.

gelbe MUSIK

Ausstellung Maryanne Amacher

Maryanne Amacher

As a composer, musician, philosopher, writer and thinker, John Cage was more influential and highly regarded than practically any other artist in the second half of the 20th century. Yet his works as a fine artist and his influence on art are little-known.

Thematically comprehensive and in an unsual breadth spanning genres, the exhibition portrays John Cage as a fine artist and casts a new glance at theoretical relationships, surroundings and impact of his work. The exhibition unites thoughts, documents and original works by Cage from the 1930s onwards with those of his muses, friends and students. In works on paper, media and sound art pieces, installations, notations, photo and film documents, the significance to 20th century art history of John Cage’s most important biographical and working themes as a fine artist are newly reflected upon in twelve stations in a concentrated space. Cultural interrelations are the subject of discussion, as well as the relationship to Asia, Zen and White Writing, European art and synesthesia, his influence on happenings, Fluxus and conceptual art. A special focus lies on the relationship between the evolution of John Cage’s fine art and the dawn of classical modernity in Europe.

Akademie der Künste, Hanseatenweg

Akademie der K&uuml;nste, Hanseatenweg

Ausstellung John Cage und...

John Cage and...

Ausstellung John Cage und…

Kalender 2012

Calendar

Calendar 2012

Berliner Festspiele linksbündig_neu

appFooterBfsLogo

Gropius Bau linksbündig_neu

appFooterFestivals0

Jazzfest Berlin linksbündig_neu

appFooterFestivals1

Musikfest Berlin linksbündig_neu

appFooterFestivals2

Theatertreffen linksbündig_neu

appFooterFestivals3

Treffen junge Szene linksbündig_neu

appFooterFestivals4

Performing Arts Season_neu

appFooterFestivals5

appFooterLinks0

appFooterLinks1

appFooterLinks2

appFooterLinks3

appFooterLinks4

appFooterLinks5

appFooterLinks6

MaerzMusik linksbündig_neu

appFooterSocials0

appFooterSocials1

appFooterSocials2

appFooterSocials3

BKM-Logo englisch

appFooterSponsors0

appHeaderMenuFestivals0

links0

links1

appHeaderMenuGroups0

links2

appHeaderMenuGroups1

links3

links4

appHeaderMenuGroups2

appHeaderMenuGroups3

appHeaderMenuLinks0

appHeaderMenuLinks1

smartInfo

The 2025 MaerzMusik will take place from 21 to 30 March 2025. The programme will be published in January.

Save the Date

visibility

Key Visual MaerzMusik 2025

MaerzMusik sw

Concerts, Performances, Installations, Discourse Formats

mm24_galerie_chen_esquinca

mm24_galerie_atraves

mm24_galerie_b_l_duo

mm24_galerie_depth

mm24_galerie_polyaspora

mm24_galerie_pulp_science

mm24_galerie_acousmonium_eröffnung

mm24_galerie_ekomane_bond

mm24_galerie_horn

mm24_galerie_ensemble_adapter

mm24_galerie_erick_hawkins_dance

mm24_galerie_musik_im_bauch

media

MaerzMusik 2024: Impressionen

Jazzfest Berlin 2023: Impressions

pictures

Impressions

MaerzMusik 2024

01110

teasers

ctaButton

gb24_tiravanija_bon voyage

teasers0

For more than three decades, Rirkrit Tiravanija has been expanding the possibilities of what can happen in an exhibition space. In “DAS GL&Uuml;CK IST NICHT IMMER LUSTIG” (Happiness is not always fun), the Gropius Bau presents more than 80 of the artist’s works in which Tiravanija often refers to cultural clichés and politics in Germany.

Rirkrit Tiravanija: DAS GL&Uuml;CK IST NICHT IMMER LUSTIG

Fallback-Bild Treffen junge Musikszene

teasers1

Young musical talents from all over Germany have applied for the Treffen junge Musikszene competition. A total of 13 acts, including four bands, one duo and eight soloists, will be invited to the festival. This year’s selection is very diverse and energetic, with a wide range of styles and bold experiments.

Treffen junge Musikszene

pas24_dance_c_sally_cohn_08

teasers2

Simple, almost sparse movements – fluid and highly dynamic, with countless repetitions and variations – characterise “Dance”. This piece by choreographer Lucinda Childs premiered in 1979 and amalgamates dance, music by Philip Glass and projections by Sol LeWitt into a meditative rapture. &nbsp;

Dance

pas24_momo_c_ascaf

teasers3

“MOMO” has two souls. One sends long roots to the depths of the earth – a soul that embodies archetypes and myths of hardened, raw masculinity, and the other is in a constant search for an individual and distinct DNA. A shared passion of deep sorrow and beauty unfolds on stage.

MOMO

More Berliner Festspiele

01111

pas24_garten_der_lueste_c_martin_argyroglo_01

In an austere landscape, a droll group of travellers discovers “The Garden of Delights” (Le jardin des délices) by French director and set designer Philippe Quesne and his Vivarium Studio. They recollect fragments of past culture and imagine themselves in the utopia of a different life in uncertain times.

The Garden of Delights

Young musical talents from all over Germany have applied for the Treffen junge Musikszene competition. A total of 13 acts, including four bands, one duo and eight soloists, will be invited to the festival. This year’s selection is very diverse and energetic, with a wide range of styles and bold experiments.&nbsp;The programme has been published and tickets are available now.

01112

gb24_braetsch_baubau_teaser

A Play Space for Kids

Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an admission-free play space for kids at the Gropius Bau. Here, the everyday rules of art institutions don’t apply: children have free reign and can have fun.

BAUBAU

pas24_trisha-brown_working-title

With three works created over a period of more than 40 years, the Performing Arts Season dedicates an evening to the American choreographer Trisha Brown, looking at her artistic work and its continuation after her death in 2017 as if under a magnifying glass.

Glacial Decoy / In the Fall / Working Title

MaerzMusik sees itself as a place to exchange artistic knowledge(s) through new encounters and collective experiences. The festival is rooted in the multimodality of listening, contemporary music, and sound, employing concerts, performances, installations, music theatre, film screenings, and discursive formats to open up a space where life, art, and theory can co-exist.

About MaerzMusik

mm24_acousmonium_préseces électronique_c_didier_allard 7

For its 50th birthday, the GRM’s Acousmonium is visiting MaerzMusik. Find out more about the loudspeaker orchestra designed by François Bayle in our multimedia story, check out interviews with artists such as KMRU, Eiko Ishibashi and Jim O'Rourke, and listen to a selection of pieces by composers like Beatriz Ferreyra, Iannis Xenakis and Eve Aboulkheir.

The Loudspeaker Orchestra: Acousmonium

mm24_mediathek_teaserbild

Missed a concert? After the festival, you can log on to the Berliner Festspiele media library to experience some of this year's events as audio or video. You can also check out interviews with artists such as Jessica Ekomane and Ensemble Musikfabrik, who provide insight into their work – from public interventions with carillons to the elaborate reconstruction of instruments by composer Lucia Dlugoszewski.

MaerzMusik in the Media Library

mm24_text_contemplations_into_the_radical_others_3zu2

“Contemplations into the Radical Others” is an attempt to tell the story of composer and instrument inventor Lucia Dlugoszewski (1925–2000). In the last two years, MaerzMusik and collaborators engaged in extensive research on her work. Find out more about the research project here.

Contemplations into the Radical Others: The Life of Lucia Dlugoszewski

Mehr zur MaerzMusik 2024

filters

Upcoming Events

The festival commences with an immersive auditory experience, reviving a pivotal moment in the history of new and experimental music through INA grm – Groupe de Recherches Musicales’ Acousmonium. To celebrate the 50th anniversary of François Bayle’s invention, we will showcase compositions for the loudspeaker orchestra by composers such as Beatriz Ferreyra, Eve Aboulkheir, François Bayle and others. EnsembleKollektiv Berlin explores the realm of conscientious listening with works by Helmut Lachenmann as well as Michelle Lou and Ashkan Behzadi. The intergenerational narrative unfolds with Simon Steen-Andersen’s interpretation of Karlheinz Stockhausen’s “Musik im Bauch” performed by Les Percussions de Strasbourg. In this edition, we will continue our focus from last year on composer and artist Lucia Dlugoszewski: we have curated scores, including some unfinished ones, with Marco Blaauw and Christine Chapman that have been reconstructed by Ensemble Musikfabrik, rebuilt Dlugoszewski’s percussive instruments, and restaged works conducted for dance, performed by Berlin-based dancers in collaboration with Katherine Duke and the Erick Hawkins Company. Spread throughout the city, the series “Topographies of Hearing” features installations and interventions by Christina Kubisch, Jessica Ekomane, Audrey Chen and others. In navigating the uncharted territories of our collective futures, this year’s edition embraces the ongoing processes that are underway rather than fixating on conclusive ideas.We look forward to experiencing MaerzMusik 2024 with you!

MaerzMusik 2024 is positioning itself as an open-ended experience centred on conscientious listening, while also highlighting the constantly evolving tapestry of musical interplay among different generations and movements. With the ensembles, artists, musicians and composers invited, the festival examines the multi-layered potential of music through a programme that dovetails with the performing arts, sound, artistic interventions and more.

MaerzMusik 2024

mm24_video_trailer

mm24_trailer_thumbnail_16zu9

Trailer MaerzMusik 2024, Design: 3pc

versions

MaerzMusik will take place from 21 to 30 March 2025 under the artistic direction of Kamila Metwaly. The 24th festival edition will open with the multimedia music theatre production <a href="${link:{uuid:{f8e2f59f-baea-44c9-9162-3afee63c40ab},repository:{website},path:{/bfs-de/maerzmusik/programm/2025/kalender/melencolia}}}">“MELENCOLIA – A Show Against the Indifference of the Universe”</a> by Brigitta Muntendorf and Moritz Lobeck at Haus der Berliner Festspiele. The work, commissioned by the Bregenz Festival and Ensemble Modern, will celebrate its German premiere at MaerzMusik in cooperation with the Staatsoper Unter den Linden. Immersed in 3D soundscapes, performers from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden take listeners into a deep exploration of enigmatic, melancholic worlds where reality and virtuality are combined on stage.Over the following nine festival days, further multidisciplinary projects and concerts will be presented that transcend traditional dualisms, presenting new interrelational perspectives that underscore the profound interconnectedness of social, technological and ecological systems. Here, music and sound move beyond binary frameworks, reshaping our understanding of relational experience and opening pathways to a more unified perception of existence and listening.Central to this artistic exploration is Enno Poppe’s new composition “Streik“ for ten drum sets, which poses the question: What happens when a solo instrument is multiplied many times? Another perspective on percussion as well as a reflection on the power of breath is offered by the work “POETICA” by Chaya Czernowin, composed for Steven Schick and Les Percussions de Strasbourg. “Minor Characters” by Jennifer Walshe and Matthew Shlomowitz will be presented by Ensemble Nikel in their festival debut, alongside “Limina / Sensation 1” by Mark Barden and Ligia Lewis. And we are looking forward to the new work “Drifting to the Rhythms at the Southeast of Nowhere” by the Berlin-based duo Nguyễn + Transitory, which will be developed this winter in Thailand in collaboration with dance artists from Chiang Mai.MaerzMusik 2025 will also present works by Jad Atoui, Wojtek Blecharz, Raven Chacon, Susie Ibarra, Mazen Kerbaj, Panayiotis Kokoras, Kuba Krzewiński, Joan La Barbara, Catherine Lamb, George Lewis, Liza Lim, Wadada Leo Smith, Ute Wassermann, Pamela Z and others, alongside ensembles that include Percussion Orchestra Cologne, Synaesthesis, Yarn/Wire and The Monochrome Project. Together, composers, artists and musicians will push the boundaries of sound, inviting audiences to explore new, transformative possibilities in contemporary music.Tickets for “MELENCOLIA” are available now. Advance ticket sales for further programme highlights will start at the beginning of January. The complete festival programme will be published on 9 February.

MaerzMusik 2025

ctas0

ctas

mm25_melencolia_1

A Show Against the Indifference of the Universe

MaerzMusik 2025 opens with “MELENCOLIA”, an experimental music theatre show by Brigitta Muntendorf and Moritz Lobeck. In immersive soundscapes, musicians from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden invite the audience to explore the creative and transformative power of melancholic worlds. Tickets are available now.

MELENCOLIA

main

MaerzMusik sees itself as a venue for experiencing art: for new encounters and collective reflection. Devised from the perspective of listening and sustained by contemporary music, the festival uses concerts, performances, installations, music theatre, film presentations and discursive formats to open up a space where life, art and theory can converge.

Fallback-Bild MaerzMusik

todayButton

Der schnellste Weg zu unseren Festivals, Ausstellungen und Programmreihen: 
The quickest way to our festivals, exhibitions and programme series:

<ul>
	<li><a href="${link:{uuid:{55f81055-59ad-4284-b7c4-a3019f95610e},repository:{website},path:{/bfs-de/gropius-bau}}}">Gropius&nbsp;Bau</a></li>
</ul>

<ul>
	<li><a href="${link:{uuid:{26e11d22-b6fe-47cb-a18a-b6b29d9136a7},repository:{website},path:{/bfs-de/jazzfest-berlin}}}">Jazzfest&nbsp;Berlin</a></li>
	<li><a href="${link:{uuid:{3295227e-266e-442b-9094-c484230f623f},repository:{website},path:{/bfs-de/maerzmusik}}}">MaerzMusik</a></li>
	<li><a href="${link:{uuid:{6633a1a2-5791-4d37-85a7-e0b06fa105f2},repository:{website},path:{/bfs-de/musikfest-berlin}}}">Musikfest&nbsp;Berlin</a></li>
	<li><a href="${link:{uuid:{af5afe78-6bdd-4e71-aae7-9589124d87bd},repository:{website},path:{/bfs-de/performing-arts-season}}}">Performing Arts Season</a></li>
	<li><a href="${link:{uuid:{fa672cb2-855e-469b-8212-4dec36fe248c},repository:{website},path:{/bfs-de/theatertreffen}}}">Theatertreffen</a></li>
	<li><a href="${link:{uuid:{4edae657-6eda-4c0e-bca1-0ce354742029},repository:{website},path:{/bfs-de/treffen-junge-szene}}}">Treffen junge Szene</a>&nbsp;</li>
</ul>

Dar&uuml;ber hinaus geht es hier zu den folgenden Seiten: 
In addition, click here to go to the following pages:

<ul>
	<li><a href="${link:{uuid:{f9e53754-08cb-44b3-8aef-d1bc11968779},repository:{website},path:{/bfs-de}}}">Startseite</a>&nbsp;(Home Page)</li>
	<li><a href="${link:{uuid:{9e5a1240-2f96-4b76-be7b-a8c3f2a22bbd},repository:{website},path:{/bfs-de/programm/kalender}}}">Kalender</a>&nbsp;(Calendar)</li>
	<li><a href="${link:{uuid:{1c781ff7-4d77-4925-af10-b8f846eb2b8a},repository:{website},path:{/bfs-de/besuch/anfahrt-kontakt}}}">Anfahrt &amp; Kontakt</a>&nbsp;(Visit &amp; Contact)</li>
	<li><a href="https://tickets.kbb.eu/kbb.webshop/webticket/shop?language=de">Webshop</a>&nbsp;(Online Shop)</li>
</ul>

Falls das auch nicht hilft, finden Sie unsere Veranstaltungen auch auf externen Seiten: 
If that doesn&#39;t help you can find our event on external pages:

<ul>
	<li><a href="http://www.berlin-buehnen.de/de/spielplan/?locations=80" target="_blank" title="Berlin Bühnen">Berlin B&uuml;hnen</a></li>
	<li><a href="http://www.museumsportal-berlin.de/de/museen/martin-gropius-bau/#section-exhibitions" target="_blank" title="Museumsportal Berlin">Museumsportal Berlin</a></li>
</ul>

M&ouml;chten Sie uns helfen? Schicken Sie uns gerne eine Nachricht mit dem Hinweis, wo der Fehler aufgetreten ist: 
You want to help us? Please send us a message with a hint where the error occurred: 
<a href="mailto:online-plattformen@berlinerfestspiele.de">online-plattformen@berlinerfestspiele.de</a>

<ul>
</ul>

Die Seite wurde nicht gefunden! /&nbsp;The page was not found!

MaerzMusik 2012 took place from 15 to 31 March 2012.

The complete programme of the 2012 MaerzMusik

Programm 2012

2012

Programme 2012

Programm

Programme

The Berliner Festspiele organise a range of festivals and art exhibitions, concerts, dance and theatre performances, readings, lectures, debates and much more throughout the year. These events are presented at a range of locations across Berlin but are concentrated primarily at their own two venues: the Gropius Bau and the Haus der Berliner Festspiele.

Berliner Festspiele

No events of Berliner Festspiele today

Today’s Events

Exhibitions & Projects

appFooterFestivals6

appFooterLinks7

appHeaderFestivalPages0

appHeaderFestivalPages1

appHeaderFestivalPages2

appHeaderFestivalPages3

appHeaderFestivalPages4

appHeaderFestivalPages5

appHeaderFestivalPages6

appHeaderFestivalPages7

appHeaderFestivalPages8

appHeaderFestivalPages9

appHeaderFestivalPages10

appHeaderFestivalPages11

appHeaderMenuFestivals1

appHeaderMenuFestivals2

appHeaderMenuFestivals3

appHeaderMenuFestivals4

appHeaderMenuFestivals5

appHeaderMenuHouses0

Leichte Sprache

appHeaderNavbarLinks0

appHeaderSaveEnergyLink

Der schnellste Weg zu unseren Festivals, Ausstellungen und Programmreihen: The quickest way to our festivals, exhibitions and programme series:<ul> <li><a href="${link:{uuid:{55f81055-59ad-4284-b7c4-a3019f95610e},repository:{website},path:{/bfs-de/gropius-bau}}}">Gropius&nbsp;Bau</a></li></ul><ul> <li><a href="${link:{uuid:{26e11d22-b6fe-47cb-a18a-b6b29d9136a7},repository:{website},path:{/bfs-de/jazzfest-berlin}}}">Jazzfest&nbsp;Berlin</a></li> <li><a href="${link:{uuid:{3295227e-266e-442b-9094-c484230f623f},repository:{website},path:{/bfs-de/maerzmusik}}}">MaerzMusik</a></li> <li><a href="${link:{uuid:{6633a1a2-5791-4d37-85a7-e0b06fa105f2},repository:{website},path:{/bfs-de/musikfest-berlin}}}">Musikfest&nbsp;Berlin</a></li> <li><a href="${link:{uuid:{af5afe78-6bdd-4e71-aae7-9589124d87bd},repository:{website},path:{/bfs-de/performing-arts-season}}}">Performing Arts Season</a></li> <li><a href="${link:{uuid:{fa672cb2-855e-469b-8212-4dec36fe248c},repository:{website},path:{/bfs-de/theatertreffen}}}">Theatertreffen</a></li> <li><a href="${link:{uuid:{4edae657-6eda-4c0e-bca1-0ce354742029},repository:{website},path:{/bfs-de/treffen-junge-szene}}}">Treffen junge Szene</a>&nbsp;</li></ul>Dar&uuml;ber hinaus geht es hier zu den folgenden Seiten: In addition, click here to go to the following pages:<ul> <li><a href="${link:{uuid:{f9e53754-08cb-44b3-8aef-d1bc11968779},repository:{website},path:{/bfs-de}}}">Startseite</a>&nbsp;(Home Page)</li> <li><a href="${link:{uuid:{9e5a1240-2f96-4b76-be7b-a8c3f2a22bbd},repository:{website},path:{/bfs-de/programm/kalender}}}">Kalender</a>&nbsp;(Calendar)</li> <li><a href="${link:{uuid:{1c781ff7-4d77-4925-af10-b8f846eb2b8a},repository:{website},path:{/bfs-de/besuch/anfahrt-kontakt}}}">Anfahrt &amp; Kontakt</a>&nbsp;(Visit &amp; Contact)</li> <li><a href="https://tickets.kbb.eu/kbb.webshop/webticket/shop?language=de">Webshop</a>&nbsp;(Online Shop)</li></ul>Falls das auch nicht hilft, finden Sie unsere Veranstaltungen auch auf externen Seiten: If that doesn't help you can find our event on external pages:<ul> <li><a href="http://www.berlin-buehnen.de/de/spielplan/?locations=80" target="_blank" title="Berlin B&uuml;hnen">Berlin B&uuml;hnen</a></li> <li><a href="http://www.museumsportal-berlin.de/de/museen/martin-gropius-bau/#section-exhibitions" target="_blank" title="Museumsportal Berlin">Museumsportal Berlin</a></li></ul>M&ouml;chten Sie uns helfen? Schicken Sie uns gerne eine Nachricht mit dem Hinweis, wo der Fehler aufgetreten ist: You want to help us? Please send us a message with a hint where the error occurred: <a href="mailto:online-plattformen@berlinerfestspiele.de">online-plattformen@berlinerfestspiele.de</a><ul></ul>

Die Seite wurde nicht gefunden! /&nbsp;The page was not found!