MaerzMusik

Exhibition

<h3>With</h3>Halim El-Dabh Leo Asemota Black Quantum Futurism (Camae Ayewa aka Moor Mother &amp; Rasheedah Phillips) Vivian Caccuri Jessica Ekomane Jihan El-Tahri Theo Eshetu Satch Hoyt Aryan Kaganof Tegene Kunbi Yara Mekawei Magdi Mostafa Camille Norment Emeka Ogboh Matana Roberts Lorenzo Sandoval Sunette L. Viljoen<h3>Team</h3>Bonaventure Soh Bejeng Ndikung &amp; Kamila Metwaly – Concept Bonaventure Soh Bejeng Ndikung – Artistic Direction Kamila Metwaly – Curator, Researcher, Editor, Writer Lynhan Balatbat-Helbock – Co-Curator Onur Çimen – Co-Curator &amp; Editor Lili Somogyi – Curatorial Assistant Ola Zielińska – Szenographie und Ausstellungsdesign António Pedro Mendes – Production Manager Muhammed Salah Abdulaziz, Billy Fowo – Production Team Lili Somogyi – Curatiorial &amp; Project Coordination Lema Sikod – General Management J&ouml;rg-Peter Schulze – Project Management Anna J&auml;ger – Communications Juan Pablo García Sossa – Design Kimani Joseph, Peter Lowas – Art Handling Emilio Cordero – Light Design Bert G&uuml;nther – Tech Monilola Ilupeju, Sagal Farah – Research Berlin Iteration Anna J&auml;ger (Deutsch), Muhammad Salah Abdulaziz (Arabisch) Translation

<h3>Mit</h3>Halim El-Dabh (EG/US) Leo Asemota Black Quantum Futurism (Camae Ayewa aka Moor Mother &amp; Rasheedah Phillips) Vivian Caccuri Ali M. Demirel Jessica Ekomane Jihan El-Tahri Theo Eshetu Satch Hoyt Aryan Kaganof Tegene Kunbi Yara Mekawei Magdi Mostafa Camille Norment Emeka Ogboh Matana Roberts Lorenzo Sandoval Sunette L. Viljoen<h3>Team</h3>Bonaventure Soh Bejeng Ndikung &amp; Kamila Metwaly – Konzept Bonaventure Soh Bejeng Ndikung – K&uuml;nstlerische Leitung Kamila Metwaly – Kuration, Recherche, Text und Publikation Lynhan Balatbat-Helboc – Ko-Kuration Ola Zielińska – Szenographie und Ausstellungsdesign Onur Çimen – Ko-Kuration und Text Lili Somogyi – Kuratorische Assistenz António Pedro Mendes – Ausstellungsproduktion Muhammed Salah Abdulaziz, Billy Fowo – Produktionsteam Lema Sikod – Gesamtmanagement J&ouml;rg-Peter Schulze – Projektmanagement Anna J&auml;ger – Kommunikation Juan Pablo García Sossa – Graphikdesign Kimani Joseph, Peter Lowas – Art Handling Emilio Cordero – Licht Bert G&uuml;nther – Tech Monilola Ilupeju, Sagal Farah – Recherche Berlin-Kapitel Anna J&auml;ger (Deutsch), Muhammad Salah Abdulaziz (Arabisch) &Uuml;bersetzungen

This exhibition focuses on an almost forgotten exponent of African and Arabic philosophy of sound: Halim El-Dabh – composer, electronics pioneer, scholar and teacher.

“Here History Began” pays homage to the Egyptian-American composer, electronic music pioneer, researcher and teacher Halim El-Dabh (1921 – 2017). A paramount figure in shaping African and Arab sonic philosophy, El-Dabh’s oeuvre has vanished into oblivion, despite the fact that his important work spans a period of seventy years and includes, amongst others one of the earliest works of electroacoustic music, “Taabir El Zaar” (1944).As the culmination of five years of research, SAVVY Contemporary and MaerzMusik present an exhibition based on El-Dabh’s immense archive of tapes, scores, letters, texts, photographs and videos. Contemporary transdisciplinary artists and musicians have been commissioned to make new pieces, to relate and pay tribute to, get inspired by, and reflect on El-Dabh’s practices and positions within music history and beyond, to deliberate on what contemporary African and Arab soundscapes are today and where they stand within the genealogy and legacy of Pan-Africanism.

Ausstellung

Exhibition

MaerzMusik 2021

SAVVY Contemporary

Here History Began

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Calendar 2021

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The 2025 MaerzMusik will take place from 21 to 30 March 2025. The programme will be published in January.

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Key Visual MaerzMusik 2025

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Tickets for “MELENCOLIA” available from 14 November at 14:00

Concerts, Performances, Installations, Discourse Formats

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MaerzMusik 2024: Impressionen

Jazzfest Berlin 2023: Impressions

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Impressions

MaerzMusik 2024

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For more than three decades, Rirkrit Tiravanija has been expanding the possibilities of what can happen in an exhibition space. In “DAS GL&Uuml;CK IST NICHT IMMER LUSTIG” (Happiness is not always fun), the Gropius Bau presents more than 80 of the artist’s works in which Tiravanija often refers to cultural clichés and politics in Germany.

Rirkrit Tiravanija: DAS GL&Uuml;CK IST NICHT IMMER LUSTIG

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13 to 16 November 2024

Charlotte and Felix are mourning the loss of their parents. In director Thorsten Lensing’s first self-written play, the audience accompanies the siblings through surreal, moving and funny episodes from childhood to old age – with Sebastian Blomberg, André Jung, Ursina Lardi and Devid Striesow. &nbsp;

Verr&uuml;ckt nach Trost

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In an austere landscape, a droll group of travellers discovers “The Garden of Delights” (Le jardin des délices) by French director and set designer Philippe Quesne and his Vivarium Studio. They recollect fragments of past culture and imagine themselves in the utopia of a different life in uncertain times.

The Garden of Delights

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Young musical talents from all over Germany have applied for the Treffen junge Musikszene competition. A total of 13 acts, including four bands, one duo and eight soloists, will be invited to the festival. This year’s selection is very diverse and energetic, with a wide range of styles and bold experiments. The programme has been published and tickets are available now.

Treffen junge Szene

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Young musical talents from all over Germany have applied for the Treffen junge Musikszene competition. A total of 13 acts, including four bands, one duo and eight soloists, will be invited to the festival. This year’s selection is very diverse and energetic, with a wide range of styles and bold experiments.&nbsp;The programme has been published and tickets are available now.

Treffen junge Musikszene

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Simple, almost sparse movements – fluid and highly dynamic, with countless repetitions and variations – characterise “Dance”. This piece by choreographer Lucinda Childs premiered in 1979 and amalgamates dance, music by Philip Glass and projections by Sol LeWitt into a meditative rapture. &nbsp;

Dance

MaerzMusik sees itself as a place to exchange artistic knowledge(s) through new encounters and collective experiences. The festival is rooted in the multimodality of listening, contemporary music, and sound, employing concerts, performances, installations, music theatre, film screenings, and discursive formats to open up a space where life, art, and theory can co-exist.

About MaerzMusik

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For its 50th birthday, the GRM’s Acousmonium is visiting MaerzMusik. Find out more about the loudspeaker orchestra designed by François Bayle in our multimedia story, check out interviews with artists such as KMRU, Eiko Ishibashi and Jim O'Rourke, and listen to a selection of pieces by composers like Beatriz Ferreyra, Iannis Xenakis and Eve Aboulkheir.

The Loudspeaker Orchestra: Acousmonium

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Missed a concert? After the festival, you can log on to the Berliner Festspiele media library to experience some of this year's events as audio or video. You can also check out interviews with artists such as Jessica Ekomane and Ensemble Musikfabrik, who provide insight into their work – from public interventions with carillons to the elaborate reconstruction of instruments by composer Lucia Dlugoszewski.

MaerzMusik in the Media Library

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“Contemplations into the Radical Others” is an attempt to tell the story of composer and instrument inventor Lucia Dlugoszewski (1925–2000). In the last two years, MaerzMusik and collaborators engaged in extensive research on her work. Find out more about the research project here.

Contemplations into the Radical Others: The Life of Lucia Dlugoszewski

Mehr zur MaerzMusik 2024

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Upcoming Events

The festival commences with an immersive auditory experience, reviving a pivotal moment in the history of new and experimental music through INA grm – Groupe de Recherches Musicales’ Acousmonium. To celebrate the 50th anniversary of François Bayle’s invention, we will showcase compositions for the loudspeaker orchestra by composers such as Beatriz Ferreyra, Eve Aboulkheir, François Bayle and others. EnsembleKollektiv Berlin explores the realm of conscientious listening with works by Helmut Lachenmann as well as Michelle Lou and Ashkan Behzadi. The intergenerational narrative unfolds with Simon Steen-Andersen’s interpretation of Karlheinz Stockhausen’s “Musik im Bauch” performed by Les Percussions de Strasbourg. In this edition, we will continue our focus from last year on composer and artist Lucia Dlugoszewski: we have curated scores, including some unfinished ones, with Marco Blaauw and Christine Chapman that have been reconstructed by Ensemble Musikfabrik, rebuilt Dlugoszewski’s percussive instruments, and restaged works conducted for dance, performed by Berlin-based dancers in collaboration with Katherine Duke and the Erick Hawkins Company. Spread throughout the city, the series “Topographies of Hearing” features installations and interventions by Christina Kubisch, Jessica Ekomane, Audrey Chen and others. In navigating the uncharted territories of our collective futures, this year’s edition embraces the ongoing processes that are underway rather than fixating on conclusive ideas.We look forward to experiencing MaerzMusik 2024 with you!

MaerzMusik 2024 is positioning itself as an open-ended experience centred on conscientious listening, while also highlighting the constantly evolving tapestry of musical interplay among different generations and movements. With the ensembles, artists, musicians and composers invited, the festival examines the multi-layered potential of music through a programme that dovetails with the performing arts, sound, artistic interventions and more.

MaerzMusik 2024

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Trailer MaerzMusik 2024, Design: 3pc

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MaerzMusik will take place from 21 to 30 March 2025 under the artistic direction of Kamila Metwaly. The 24th festival edition will open with the multimedia music theatre production “MELENCOLIA – A Show Against the Indifference of the Universe” by Brigitta Muntendorf and Moritz Lobeck at Haus der Berliner Festspiele. The work, commissioned by the Bregenz Festival and Ensemble Modern, will celebrate its German premiere at MaerzMusik in cooperation with the Staatsoper Unter den Linden. Immersed in 3D soundscapes, performers from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden take listeners into a deep exploration of enigmatic, melancholic worlds where reality and virtuality are combined on stage.Over the following nine festival days, further multidisciplinary projects and concerts will be presented that transcend traditional dualisms, presenting new interrelational perspectives that underscore the profound interconnectedness of social, technological and ecological systems. Here, music and sound move beyond binary frameworks, reshaping our understanding of relational experience and opening pathways to a more unified perception of existence and listening.Central to this artistic exploration is Enno Poppe’s new composition “Streik“ for ten drum sets, which poses the question: What happens when a solo instrument is multiplied many times? Another perspective on percussion as well as a reflection on the power of breath is offered by the work “Poetica” by Chaya Czernowin, composed for Steven Schick and Les Percussions de Strasbourg. “Minor Characters” by Jennifer Walshe and Matthew Shlomowitz will be presented by Ensemble Nikel in their festival debut, alongside “Limina / Sensation 1” by Mark Barden and Ligia Lewis. And we are looking forward to the new work “Drifting to the Rhythms at the Southeast of Nowhere” by the Berlin-based duo Nguyễn + Transitory, which will be developed this winter in Thailand in collaboration with dance artists from Chiang Mai.MaerzMusik 2025 will also present works by Jad Atoui, Wojtek Blecharz, Raven Chacon, Dai Fujikura, Susie Ibarra, Mazen Kerbaj, Panayiotis Kokoras, Kuba Krzewiński, Joan La Barbara, George Lewis, Liza Lim, Isabel Mundry, Ute Wassermann and others, alongside ensembles that include Percussion Orchestra Cologne, Synaesthesis, Yarn/Wire and The Monochrome Project. Together, composers, artists and musicians will push the boundaries of sound, inviting audiences to explore new, transformative possibilities in contemporary music.Tickets for “MELENCOLIA” are available now. Advance ticket sales for further programme highlights will start at the beginning of January. The complete festival programme will be published on 9 February.

MaerzMusik 2025

MaerzMusik will take place from 21 to 30&nbsp;March 2025 under the artistic direction of Kamila Metwaly. The 24th festival edition will open with the multimedia music theatre production “MELENCOLIA – A Show Against the Indifference of the Universe” by Brigitta Muntendorf and Moritz Lobeck at Haus der Berliner Festspiele. The work, commissioned by the Bregenz Festival and Ensemble Modern, will celebrate its German premiere at MaerzMusik in cooperation with the Staatsoper Unter den Linden. Immersed in 3D&nbsp;soundscapes, performers from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden take listeners into a deep exploration of enigmatic, melancholic worlds where reality and virtuality are combined on stage.Further multidisciplinary projects as well as current compositions for percussion will be presented over the following nine festival days: the new work “Streik” for ten drumsets by Enno Poppe, “POETICA” by Chaya Czernowin and Steven Schick for Les Percussions de Strasbourg and “Minor Characters” by Jennifer Walshe and Matthew Shlomowitz with Ensemble Nikel. In addition to the New York ensemble Yarn/Wire and the performance duo Nguyễn + Transitory, the programme also includes current works by Mark Barden and Ligia Lewis.Tickets for “MELENCOLIA” are available from 14 November at 14:00. Advance ticket sales for further programme highlights will start on 9 January. The complete festival programme will be published in February.

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MaerzMusik sees itself as a venue for experiencing art: for new encounters and collective reflection. Devised from the perspective of listening and sustained by contemporary music, the festival uses concerts, performances, installations, music theatre, film presentations and discursive formats to open up a space where life, art and theory can converge.

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Der schnellste Weg zu unseren Festivals, Ausstellungen und Programmreihen: 
The quickest way to our festivals, exhibitions and programme series:

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	<li><a href="${link:{uuid:{26e11d22-b6fe-47cb-a18a-b6b29d9136a7},repository:{website},path:{/bfs-de/jazzfest-berlin}}}">Jazzfest&nbsp;Berlin</a></li>
	<li><a href="${link:{uuid:{3295227e-266e-442b-9094-c484230f623f},repository:{website},path:{/bfs-de/maerzmusik}}}">MaerzMusik</a></li>
	<li><a href="${link:{uuid:{6633a1a2-5791-4d37-85a7-e0b06fa105f2},repository:{website},path:{/bfs-de/musikfest-berlin}}}">Musikfest&nbsp;Berlin</a></li>
	<li><a href="${link:{uuid:{af5afe78-6bdd-4e71-aae7-9589124d87bd},repository:{website},path:{/bfs-de/performing-arts-season}}}">Performing Arts Season</a></li>
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	<li><a href="${link:{uuid:{4edae657-6eda-4c0e-bca1-0ce354742029},repository:{website},path:{/bfs-de/treffen-junge-szene}}}">Treffen junge Szene</a>&nbsp;</li>
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Dar&uuml;ber hinaus geht es hier zu den folgenden Seiten: 
In addition, click here to go to the following pages:

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	<li><a href="${link:{uuid:{f9e53754-08cb-44b3-8aef-d1bc11968779},repository:{website},path:{/bfs-de}}}">Startseite</a>&nbsp;(Home Page)</li>
	<li><a href="${link:{uuid:{9e5a1240-2f96-4b76-be7b-a8c3f2a22bbd},repository:{website},path:{/bfs-de/programm/kalender}}}">Kalender</a>&nbsp;(Calendar)</li>
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Falls das auch nicht hilft, finden Sie unsere Veranstaltungen auch auf externen Seiten: 
If that doesn&#39;t help you can find our event on external pages:

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MaerzMusik 2021 took place from 19 to 28 March 2021.

2021

Programme 2021

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The Berliner Festspiele organise a range of festivals and art exhibitions, concerts, dance and theatre performances, readings, lectures, debates and much more throughout the year. These events are presented at a range of locations across Berlin but are concentrated primarily at their own two venues: the Gropius Bau and the Haus der Berliner Festspiele.

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Der schnellste Weg zu unseren Festivals, Ausstellungen und Programmreihen: The quickest way to our festivals, exhibitions and programme series:<ul> <li><a href="${link:{uuid:{55f81055-59ad-4284-b7c4-a3019f95610e},repository:{website},path:{/bfs-de/gropius-bau}}}">Gropius&nbsp;Bau</a></li></ul><ul> <li><a href="${link:{uuid:{26e11d22-b6fe-47cb-a18a-b6b29d9136a7},repository:{website},path:{/bfs-de/jazzfest-berlin}}}">Jazzfest&nbsp;Berlin</a></li> <li><a href="${link:{uuid:{3295227e-266e-442b-9094-c484230f623f},repository:{website},path:{/bfs-de/maerzmusik}}}">MaerzMusik</a></li> <li><a href="${link:{uuid:{6633a1a2-5791-4d37-85a7-e0b06fa105f2},repository:{website},path:{/bfs-de/musikfest-berlin}}}">Musikfest&nbsp;Berlin</a></li> <li><a href="${link:{uuid:{af5afe78-6bdd-4e71-aae7-9589124d87bd},repository:{website},path:{/bfs-de/performing-arts-season}}}">Performing Arts Season</a></li> <li><a href="${link:{uuid:{fa672cb2-855e-469b-8212-4dec36fe248c},repository:{website},path:{/bfs-de/theatertreffen}}}">Theatertreffen</a></li> <li><a href="${link:{uuid:{4edae657-6eda-4c0e-bca1-0ce354742029},repository:{website},path:{/bfs-de/treffen-junge-szene}}}">Treffen junge Szene</a>&nbsp;</li></ul>Dar&uuml;ber hinaus geht es hier zu den folgenden Seiten: In addition, click here to go to the following pages:<ul> <li><a href="${link:{uuid:{f9e53754-08cb-44b3-8aef-d1bc11968779},repository:{website},path:{/bfs-de}}}">Startseite</a>&nbsp;(Home Page)</li> <li><a href="${link:{uuid:{9e5a1240-2f96-4b76-be7b-a8c3f2a22bbd},repository:{website},path:{/bfs-de/programm/kalender}}}">Kalender</a>&nbsp;(Calendar)</li> <li><a href="${link:{uuid:{1c781ff7-4d77-4925-af10-b8f846eb2b8a},repository:{website},path:{/bfs-de/besuch/anfahrt-kontakt}}}">Anfahrt &amp; Kontakt</a>&nbsp;(Visit &amp; Contact)</li> <li><a href="https://tickets.kbb.eu/kbb.webshop/webticket/shop?language=de">Webshop</a>&nbsp;(Online Shop)</li></ul>Falls das auch nicht hilft, finden Sie unsere Veranstaltungen auch auf externen Seiten: If that doesn't help you can find our event on external pages:<ul> <li><a href="http://www.berlin-buehnen.de/de/spielplan/?locations=80" target="_blank" title="Berlin B&uuml;hnen">Berlin B&uuml;hnen</a></li> <li><a href="http://www.museumsportal-berlin.de/de/museen/martin-gropius-bau/#section-exhibitions" target="_blank" title="Museumsportal Berlin">Museumsportal Berlin</a></li></ul>M&ouml;chten Sie uns helfen? Schicken Sie uns gerne eine Nachricht mit dem Hinweis, wo der Fehler aufgetreten ist: You want to help us? Please send us a message with a hint where the error occurred: <a href="mailto:online-plattformen@berlinerfestspiele.de">online-plattformen@berlinerfestspiele.de</a><ul></ul>

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You can listen to some of our events this year digitally in the Berliner Festspiele Media Library after the live concerts.&nbsp;In addition, On Demand offers from past years are available.

Musikfest Berlin in the Media Library

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The international Jazzfest Research Lab&nbsp;welcomes academics and students to take a critical look at the festival’s archive, its programmes, creators, musicians and – last but not least – its myths. In two seminars during the summer semester of 2024, students from the Berlin University of the Arts and the University of Hildesheim have explored the festival’s history from various perspectives. In this film, the participants give a first look at how they dealt with their research subject.

Introducing: Jazzfest Research Lab

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To mark its 60th anniversary, Jazzfest Berlin is celebrating the cultural diversity of the neighbouring district of Moabit in collaboration with around 35 official partners and initiatives and with over 350 participants of all ages.&nbsp;In June 2024, interviews were conducted with 20 partners who presented their perspectives, wishes and ideas for the Jazzfest Community Lab Moabit. You can get a first impression with this film.

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Curated by&nbsp;Meron Mendel and Saba-Nur Cheema&nbsp;

From 13 to 16 June 2024, the interdisciplinary themed days “Reflexes &amp; Reflections” on the Israel-Palestine conflict and its consequences for society in Germany took place at the Haus der Berliner Festspiele. You can now find video and audio recordings of the discourse events in the Berliner Festspiele Media Library!

Reflexes &amp; Reflections. 7 October, the war in Gaza and the debate in Germany

In the Media Library

Key Visual Treffen junger Autor*innen 2024

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The programme has been published, advance ticket sales are open.

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The 10 Remarkable Productions 2024

On 26 January, the Theatertreffen’s jury of critics announced their selection of 10 remarkable productions for the 2024 Theatertreffen at a press conference. Our congratulations go to the nominated production teams and all participants! The programme will be published on 5 April.

Theatertreffen 2024

“Radical Playgrounds”, an art parcours at the Gropius Bau, is spending eleven weeks exploring the differences between the concepts of play as competition and free play. Visitors are invited to walk and climb on the various installations and sculptures, to activate them and to shape the project collectively.