K&uuml;nstlerisch in die Virtuelle Realit&auml;t! Wie einfach man zur*zum Gestalter*in virtueller Welten wird, zeigt dieser Workshop auf unkonventionelle Weise. Ausgestattet mit Schere, Papier und Farben erobern wir den immersiven Raum. Stop-Motion-Filme und Musikvideos werden zun&auml;chst auf einem zweidimensionalen Blatt animiert, abfotografiert und ins Schnittprogramm &uuml;bertragen. Mit dem Virtual Reality Experten und Start-up-Gr&uuml;nder Benjamin Rudolf erleben wir dann das fertige Produkt als 360 Grad Kunstwerk.Im Rahmen von Parallelwelten Teil 3: Digitale Kunst &amp; Videospiele

Gropius Bau

Gropius Bau 2017

Virtual Reality

Virtual Reality (in German only)

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Located in the centre of Berlin, the Gropius Bau is a lively place for encounters with art and each other. As an internationally renowned exhibition centre, it offers space for major exhibitions and performances by contemporary artists.

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The Practice – What Moves Artists&nbsp;is a new book series by Gropius Bau, that invites artists to showcase a practice that they pursue, that has influenced them or that has been with them for a long time. In the first volume of the series,&nbsp;On Making Less, the artist Rirkrit Tiravanija compiles various ideas and approaches to this topic.

The Practice – What Moves Artists

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YOKO ONO: MUSIC OF THE MIND

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Only until 19 January 2025 – we’ll be back for you in March! 🐛

BAUBAU

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The 10 most remarkable productions of the season will be accompanied by a framing programme of contributions by alumni of the International Forum, which is celebrating its 60th anniversary.

Theatertreffen

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60 ensembles from 13&nbsp;federal states have submitted their productions for the 46th&nbsp;Theatertreffen der Jugend 2025. The programme is now online and tickets are available.

Theatertreffen der Jugend

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Performing Exiles is an international and interdisciplinary festival produced by the Berliner Festspiele, that seeks to make diasporic lives in the city of Berlin visible and explore the contemporary meaning of exile. The programme has already been published and tickets are available now.

Performing Exiles

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Musikfest Berlin 2025 brings together guest performances by the world’s best symphony orchestras and choirs from the Netherlands, France, Belgium and Italy, which are rarely heard in Berlin. The full programme is online and tickets are available now.

Musikfest Berlin

More Berliner Festspiele

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Pallavi Paul: How Love Moves

With Free Admission to the Exhibition

Located in the centre of Berlin, the Gropius Bau is a lively place to encounter art and each other. The internationally renowned institution stages large-scale exhibitions and performances by contemporary artists. Its diverse events focus on exchange and discussion, bringing together local and global perspectives.&nbsp;

About the Gropius Bau

We are looking forward to welcoming you back in mid-March with the reopening of our play space, <a href="${link:{uuid:{df42e57d-a14a-4b44-a5e4-9d3e7dcab5a6},repository:{website},path:{/bfs-de/gropius-bau/programm/baubau}}}">BAUBAU</a> (on 22 March), and two exhibitions, <a href="${link:{uuid:{55d64239-53fe-4b12-8567-a63191c6cae4},repository:{website},path:{/bfs-de/gropius-bau/programm/2025/ausstellungen/vaginal-davis}}}">Vaginal Davis: Fabelhaftes Produkt</a> (from 21 March) and <a href="${link:{uuid:{9618c701-bd05-432e-b688-5943e1f7fc57},repository:{website},path:{/bfs-de/gropius-bau/programm/2025/ausstellungen/yoko-ono}}}">YOKO ONO: MUSIC OF THE MIND</a> (from 11 April). For details on opening hours and tickets, please visit our <a href="${link:{uuid:{62c3018b-bb40-46ce-8019-646ec5cd2e4a},repository:{website},path:{/bfs-de/gropius-bau/besuch/informationen}}}">Information &amp; Tickets</a> page. We look forward to seeing you soon!

See you in March!

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Becoming more accessible – with the help of Artificial Intelligence: the new AI-based app Gropius Bau Prisma allows you to translate exhibition texts into 36 languages, play them as audio, ask questions about the works on display and activate subtitles in various languages during events.

Gropius Bau Prisma

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Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On the Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

BAUBAUA&nbsp;Play Space for Kids

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For more than three decades, Rirkrit Tiravanija has been expanding the possibilities of what can happen in an exhibition space. As part of his practice, the artist creates situations that offer space to eat and drink, play and rest. They encourage chance encounters, relationships and their failure – in other words: life.&nbsp;The exhibition&nbsp;DAS GL&Uuml;CK IST NICHT IMMER LUSTIG&nbsp;(Happiness is not always fun)&nbsp;presents more than 80 of the artist’s works created between 1987 and 2024.

Rirkrit Tiravanija:&nbsp;DAS GL&Uuml;CK IST NICHT IMMER LUSTIG

Now at the Gropius Bau

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Marking twenty years since artist, writer and performer Vaginal Davis made Berlin her home, Gropius Bau presents the first comprehensive solo exhibition of her work in Germany. In her expansive oeuvre, punk meets glamour, queer activism meets Black counter-culture and resistance meets desire.&nbsp;Fabelhaftes Produkt&nbsp;offers&nbsp;an overview of Davis’ practice and artistic collaborations.

Vaginal DavisFabelhaftes Produkt

Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an&nbsp;admission-free play space for kids, where more is allowed than forbidden. On Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities.

BAUBAU

Spielen in der Stadt

What has been the role of play in public space, both historically and in the present? Complementing BAUBAU, our free play space for kids, Gabriela Burkhalter’s&nbsp;Playing in the City&nbsp;presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to the play space’s entrance.

Playing in the City

Currently at Gropius Bau

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Located in the centre of Berlin, the Gropius Bau is a lively place to encounter art and each other. The internationally renowned institution stages large-scale exhibitions and performances by contemporary artists.

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The Gropius Bau is closed on Tuesdays.

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Gropius Bau 2024

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A gigantic baby, a foppish boy and a drowned man gawp down the camera, weeping and drooling, understanding nothing. A nameless crowd careens down a hole, forever &ndash; or forms letters in choreographed formation. A spartan, looping piano piece by J&uuml;rg Frey is performed in a concrete cell, a hermit&rsquo;s cot and a bucolic garden in midsummer. Reflexive information panels by &ldquo;Contemporary Art Writing Daily&rdquo; essay a barbaric real world entirely absent from the exhibition. Credits roll to denote an ending that never begins, and social media corporations sponsor everything, seemingly unbidden.

For his exhibition at the Martin-Gropius-Bau, Atkins has created a new series of works that build upon the allegorical possibilities of his particular brand of video making, shifting the aesthetic into ever more precarious areas of desire, historicity, melancholia and stupidity. Atkins is known for a series of video installations peopled by CGI surrogates, animated by motion capture performances and voiced by the artist himself. In his more recent work, the artist has expanded his exploration of the medium, tempering affecting autobiographical figuration with broader issues arising as a consequence of the form&rsquo;s exponential preponderance. Where previously death was the precondition of love and the logical end point to the wants of representation, &ldquo;Old Food&rdquo; presents a system that&rsquo;s at once less morbid and far less romantic. The world of &ldquo;Old Food&rdquo; is always-already lost, persisting regardless, with no mortal redemption in sight. Like McDonald&rsquo;s hamburgers, &ldquo;Old Food&rdquo; never rots, never moulders &ndash; it simply persists, a world of melancholy where what was lost remains outside the possibility of ever being understood, let alone retrieved.

&ldquo;Old Food&rdquo; is one of Atkins&rsquo; largest installations to date. Videowalls and flat screens depicted a choreographed chamber drama of dubious sentimentality and historical inaccuracy. Caricature and parable collide in a nostalgic no-place of derailed escapism, conjuring both recent Fantasy television phenomena, and any fantasy&rsquo;s failure to distract from a resurgent literalism concerning the romantic possibilities of the imaginary. Unlike much of Atkins&rsquo; previous work, &ldquo;Old Food&rdquo; is slow &ndash; hobbled and exhausted by its own apparent superficiality. Still, &ldquo;Old Food&rdquo; moves, caught in a concert of sad, pitched inwards and out.

These new computer-generated video works were installed alongside a vast display of the Deutsche Oper Berlin&rsquo;s costume archive, presented as objet trouv&eacute; in the manner in which they are stored. Part perverse mise-en-sc&egrave;ne, part practical acoustic treatment, the costumes invited a reading of the videos as aspirationally operatic and as compromised historical dream &ndash; both in their failure to sufficiently address their contemporary moment, and their presumed locale, from 11th century Scotland to ancient Egypt to Berlin, and the world, today. Just as the costumes were displayed in a manner to subvert their role as instruments of immersive storytelling, Atkins&rsquo; videos constantly undo both their realism and their elaborate technology. The effect, ironically enough, is one of genuine imminence.

Ed Atkins is one of the most distinctive representatives of a generation of artists explicitly responding to digital media&rsquo;s ever-increasing ubiquity; Atkins creates worlds of crazed artificiality and desperate realism. His computer-generated videos feature shabby, lonely protagonists with disarming and marked fidelity. His animations demonstrate their digital constitution &ndash; their near-total artifice &ndash; even as they simultaneously strive for a disturbing level of lifelikeness. Atkins&rsquo; works get under the viewer&rsquo;s skin, rendering a queasy corruption of substance, both material and concept &ndash; just as the idea of &ldquo;old food&rdquo; raises a suspicion of use squandered, of goodness spoiled.

Ed Atkins „Old Food“

Ed Atkins “Old Food”

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The Berliner Festspiele organise a range of festivals and art exhibitions, concerts, dance and theatre performances, readings, lectures, debates and much more throughout the year. These events are presented at a range of locations across Berlin but are concentrated primarily at their own two venues: the Gropius Bau and the Haus der Berliner Festspiele.

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Today’s Events

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The international and interdisciplinary festival produced by the Berliner Festspiele

Performing Exiles

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37th&nbsp;International Festival Berlin

Tanz im August

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You can listen to some of our events this year digitally in the Berliner Festspiele Media Library after the live concerts.&nbsp;In addition, On Demand offers from past years are available.

Musikfest Berlin in the Media Library

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The international Jazzfest Research Lab&nbsp;welcomes academics and students to take a critical look at the festival’s archive, its programmes, creators, musicians and – last but not least – its myths. In two seminars during the summer semester of 2024, students from the Berlin University of the Arts and the University of Hildesheim have explored the festival’s history from various perspectives. In this film, the participants give a first look at how they dealt with their research subject.

Introducing: Jazzfest Research Lab

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To mark its 60th anniversary, Jazzfest Berlin is celebrating the cultural diversity of the neighbouring district of Moabit in collaboration with around 35 official partners and initiatives and with over 350 participants of all ages.&nbsp;In June 2024, interviews were conducted with 20 partners who presented their perspectives, wishes and ideas for the Jazzfest Community Lab Moabit. You can get a first impression with this film.

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Curated by&nbsp;Meron Mendel and Saba-Nur Cheema&nbsp;

From 13 to 16 June 2024, the interdisciplinary themed days “Reflexes &amp; Reflections” on the Israel-Palestine conflict and its consequences for society in Germany took place at the Haus der Berliner Festspiele. You can now find video and audio recordings of the discourse events in the Berliner Festspiele Media Library!

Reflexes &amp; Reflections. 7 October, the war in Gaza and the debate in Germany

In the Media Library

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The 10 Remarkable Productions 2024

On 26 January, the Theatertreffen’s jury of critics announced their selection of 10 remarkable productions for the 2024 Theatertreffen at a press conference. Our congratulations go to the nominated production teams and all participants! The programme will be published on 5 April.

Theatertreffen 2024

“Radical Playgrounds”, an art parcours at the Gropius Bau, is spending eleven weeks exploring the differences between the concepts of play as competition and free play. Visitors are invited to walk and climb on the various installations and sculptures, to activate them and to shape the project collectively.

Summer School 2025

As part of Performing Exiles there will be a Summer School from 16 to 28&nbsp;June 2025. This will offer workshops, seminars and mentoring. The participants will see the performances and guest productions in the festival programme and visit artistic initiatives and cultural institutions in Berlin that operate across a wide range of disciplines and contexts. A public presentation of the participants’ current work and research at the Haus der Berliner Festspiele will complete the programme.

Open Call

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The massacre, hostage-taking and rocket attacks by Hamas have shaken us deeply. The grue-some attack on Israel on 7&nbsp;October left us stunned and initially lost for words.

The Berliner Festspiele on Current Events in Israel, Gaza and Germany

With this letter of intent, we, the signing cultural organizations, express our intention to welcome, host and stage Ukrainian theatre artists in our venues, to make Ukrainian dramatic work visible to the European community.

Support of the Ukrainian Cultural Scene

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In a nationwide competition, 60&nbsp;ensembles applied for this year’s Theatertreffen der Jugend. The&nbsp;jury&nbsp;selected 18&nbsp;productions for the interim selection, which they then experienced in live viewings. The jurors have now made the final selection.&nbsp;The complete festival programme is online, advance ticket sale has started.

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Performing Exiles is an international and interdisciplinary festival produced by the Berliner Festspiele, that seeks to make diasporic lives in the city of Berlin visible and explore the contemporary meaning of exile. The second edition of the festival will present both works by internationally acclaimed artists and those of artists who are still at the beginning of their careers.&nbsp;The complete programme is online, advance ticket sale is open.

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In August 2025, the festival Tanz im August will be a guest at the Haus der Berliner Festspiele with three productions. Two productions are already on pre-sale.

Tanz im August

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Upcoming