Engaging with desire and alienation, artist and choreographer Alex Baczyński-Jenkins presents his new work, developed for the atrium of Gropius Bau. Malign Junction (Goodbye, Berlin) departs from Christopher Isherwood’s 1939 novel Goodbye to Berlin, set in the final days of Berlin’s nightlife and cabaret culture during the rise of fascism. The performance navigates the tension between loss, anger, seduction, the eerie and ecstatic abandon.
Alex Baczyński-Jenkins, Malign Junction (Goodbye, Berlin), 2025 © Gropius Bau, photo: Spyros Rennt
Marking twenty years since artist, writer and performer Vaginal Davis made Berlin her home, Gropius Bau presents the first comprehensive solo exhibition of her work in Germany. In her expansive oeuvre, punk meets glamour, queer activism meets Black counter-culture and resistance meets desire. Vaginal Davis: Fabelhaftes Produkt features large-scale installations, paintings, video and film works, zines, writing, music and performances, offering an overview of Davis’ practice and artistic collaborations.
Vaginal Davis, 2019, collection Vaginal Davis, photo © Hector Martinez
Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Brätsch designed an admission-free play space for kids, where more is allowed than forbidden. On the Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities. They set the tone and decide what happens in this place. BAUBAU opened as a pilot project in early September 2024 and continues to evolve. BAUBAU will open in September 2024 in a prototype version, continuing to evolve and grow both inside and outside the Gropius Bau in the years to come.
BAUBAU © Gropius Bau, photo: Guannan Li
Since the 1950s, Yoko Ono has been ahead of her time, leaving her mark on visual arts, music and activism. To honour her groundbreaking work, Gropius Bau presents the comprehensive solo exhibition YOKO ONO: MUSIC OF THE MIND. Spanning the first floor and the atrium of Gropius Bau, the show brings together over 200 works from seven decades, revealing her radical approach to language, art and participation that continues to speak to the present moment.
Yoko Ono with Glass Hammer, 1967, installation view, HALF-A-WIND SHOW, Lisson Gallery, London, 1967, photo © Clay Perry / artwork © Yoko Ono