Concert & Talk
Three works by Ashley Fure, Justė Janulytė and Olga Neuwirth
© Alan
An evening marked by three outstanding female composers of the present: Ashley Fure (*1982), Justė Janulytė (*1982) and Olga Neuwirth (*1968).
Ashley Fure’s (*1982) mesmerizing work for orchestra and electronics, “Bound to the Bow” was a finalist for the 2017 Pulitzer Prize. Olga Neuwirth’s (*1968) brilliant “Masaot/Clocks without Hands” – a poetic reflection on the nature of time and how memories fade – has sparked enthusiasm from Vienna to New York. The concert in the classicistic environment of Konzerthaus Berlin will be crowned by the premiere of a commission by the Lithuanian composer Justė Janulytė (*1982), whose large, multi-layered textures and often extremely slow, gradual metamorphoses unfold a fascinating, decelerating pull.
Ashley Fure
Bound to the Bow
for orchestra and electronics (2016) GP
Justė Janulytė
Was there a Swan?
for organ and orchestra (2019) World Premiere
Commissioned by Berliner Festspiele / MaerzMusik and Konzerthaus Berlin
Olga Neuwirth
Masaot / Clocks without Hands
for full orchestra (2013/2015)
Konzerthausorchester Berlin
Daniel Weingarten – sound direction
Martin Knizia – organ
Peter Rundel – conductor
In collaboration with Konzerthaus Berlin. With the support of Berliner Künstlerprogramm des DAAD and Lithuanian Culture Institute.
Live recording Deutschlandfunk Kultur, broadcast 20:03