Concert

Un mar de músicas

Jordi Savall, conductor
Fernandes / Rameau / Zéspedes and others

Only performance in Germany

Jordi Savall conducting

Conductor, gambist, expert of Early Music: Jordi Savall © Daniel Dittus

The Atlantic is a space where different influences meet: the great crime of the triangular slave trade between Europe, Africa and the Americas has shaped the world as we know it. And it has also changed the history of music. Here Jordi Savall, the great visionary of historical performance practice and connoisseur of world musical cultures, is joined by his groundbreaking ensemble Hespèrion XXI together with musicians from Africa and the Americas to devise a dialogue in sound between the reciprocal influences of the European Baroque and the songs of slaves between 1440 and 1880.

18:10, South Foyer
Work introduction


Olivia Artner in conversation with Jordi Savall about “Un mar de músicas” in the BerlinerFestspiele Media Library


Programmebooklet Un mar de músicas

Jordi Savall is not only one of the leading viol players of our time, but also a pioneering thinker in the field of historically informed performance practice. As the founder of numerous top quality original sound ensembles, he has rediscovered several centuries of forgotten music from around the globe and regularly made it accessible in thematically curated concerts. Together with guest musicians from Cuba, Haiti, Brazil, Mali, Venezuela and Mexico and his ensembles Hespèrion XXI and La Capella Reial de Catalunya, in “Un mar de músicas” Jordi Savall now pays homage to the more than 12 million people deported and enslaved by the European powers over four centuries – and their musical languages. An evening that recalls this human tragedy and that spreads a net of sound across the Black Atlantic, from the coast of Africa to the shores of America, to the Caribbean and back to Europe, revealing the routes that musical influences took in both directions: European Baroque and Renaissance music influenced the Creole songs and composers of the colonies, while in turn the music of the slaves inspired composers in France and Spain. In “Un mar de músicas”, the life-affirming songs are complemented by texts with historical quotations and chronological explanations: from the first human trafficking expeditions in Africa to the beginning uprisings in the Caribbean region and the late decision to abolish slavery. The German actor Bless Amada recites these very moving and sometimes brutal texts, which reveal the history of the European slave trade in all its drasticness. A reminder of all those for whom music became a means of survival. 

Programme

Creole songs and songs by slaves from the Old and New World

Villancicos de Lenguas by Gaspar Fernendes, Diegon Duron, Juan Gutiérrez de Padilla, Felip Olivelles, Juan Garcia de Zéspedes and from the Codex Trujiilo

Dances with variations by Santiago de Murcia and anonymous authors  

European music from the 17th and 18th centuries by André Danican Philidor l’ainéand Jean-Philippe Rameau

Contributors

Bless Amada – Speaker

Neema Bickersteth (Canada), Sekouba Bambino (Guinea), Yannis François (Guadalupe), Ballaké Sissoko, Mamani Keïta, Tanti Kouyaté, Fanta Sissoko (Mali), Tembembe Ensamble Continuo (Mexico / Colombia), Maria Juliana Linhares, Zé Luis Nascimento (Brasil), Teresa Yanet, Lixsania Fernández, Marlon Rodríguez, Frank Pereira (Cuba), Sylvie Henry (Haiti), Iván García (Venezuela)

La Capella Reial de Catalunya
Hespèrion XXI

Jordi Savall – dicant viol and conductor

A Berliner Festspiele / Musikfest Berlin event

Funded by means of Hauptstadtkulturfonds