Featuring works by Laurie Anderson, Richard Avedon, Rotimi Fani-Kayode, Isaac Julien, Annette Messager and Wolfgang Tillmans, the comprehensive group exhibition Masculinities: Liberation through Photography at the Gropius Bau explored the ways in which masculinity is experienced, performed and socially constructed from the 1960s to the present day.
Sunil Gupta, Untitled 22. From the series Christopher Street, 1976
© Sunil Gupta & VG Bild-Kunst, Bonn 2020, Courtesy: the artist & Hales Gallery
From September 2019 to September 2020, the 11th Berlin Biennale for Contemporary Art unfolded as a process with “exp. 1”, “exp. 2”, and “exp. 3”. From 5 September to 1 November 2020, an exhibition, serving as the epilogue, brought together these experiences and the issues they raised in four locations, including the Gropius Bau.
11th Berlin Biennale for Contemporary Art
© Berlin Biennale for Contemporary Art
Down to Earth, our summer 2020 at the Gropius Bau: four weeks without electricity, loudspeakers, videos, screens, air travel or spotlights, but with daylight, heat, recycling, analogue music, dance and talks by experts on change, exhibitits on the themes of the ocean, Gaia, puddles, the living earth, a sawn-up Porsche and modern rituals, in the spirit of Latour, Margulis, Lovelock and the Shipibo – 14 rooms and different overall every day.
Otobong Nkanga’s interest lies in the complex relationship between humans and land. In her works, she explores this relationship within the tension between exploitative extraction processes and structures of care and repair. Following her one-year stay 2019 at the Gropius Bau, the solo exhibition offered insights into the central issues of her work.
Otobong Nkanga, Solid Maneuvers, 2015. Various metals, Forex, acrylic, tar, salt, make-up, vermiculite, Dimensions variable Installation view Crumbling Through Powdery Air, Portikus, 2015
Photo: Helena Schlichting, courtesy: Portikus
Lee Mingwei’s artistic practice is primarily concerned with rituals of giving and receiving. The Gropius Bau presented a solo exhibition by the artist, showing his installations and performances from the last three decades. Central to the exhibition was an exploration of art’s potential to be a transformative gift.
Lee Mingwei, Guernica in Sand, 2006–present. Mixed media interactive installation, Sand, wooden island, lighting, 1300 x 643 cm Installation view Lee Mingwei and His Relations, Taipei Fine Arts Museum, 2015
Courtesy: Taipei Fine Arts Museum
The photography exhibition Six Songs, Swirling Gracefully in the Taut Air brought together works from various long-term series composed by Berlin-based Nigerian photographer Akinbode Akinbiyi, who has captured intimate scenes and communal life in cities such as Lagos, Berlin, Johannesburg, Bamako and Chicago, among many other locations.
Akinbode Akinbiyi, Bar Beach, Victoria Island, Lagos, 2006. From the series Sea Never Dry Photograph
Courtesy: the artist