Marking twenty years since artist, writer and performer Vaginal Davis made Berlin her home, Gropius Bau presents the first comprehensive solo exhibition of her work in Germany. In her expansive oeuvre, punk meets glamour, queer activism meets Black counter-culture and resistance meets desire. Vaginal Davis: Fabelhaftes Produkt features large-scale installations, paintings, video and film works, zines, writing, music and performances, offering an overview of Davis’ practice and artistic collaborations.
Vaginal Davis, Downtown, 1993
© Reynaldo Rivera
Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Brätsch designed an admission-free play space for kids, where more is allowed than forbidden. On the Gropius Bau’s ground floor, colourful wallpapers, structures, objects and open-ended material called “loose parts” configure flexible spaces that are shaped by children’s activities. They set the tone and decide what happens in this place.
BAUBAU © Gropius Bau, photo: Guannan Li
What has been the role of play in public space, both historically and in the present? Complementing BAUBAU, our free play space for kids, Gabriela Burkhalter’s Playing in the City presentation traces the history of playgrounds since their emergence in 1900 to today. The free presentation is open to all and can be seen in two rooms next to the play space’s entrance.
Play action by Pädagogische Aktion (PA), München-Neuperlach, FRG, 1971
© Wolfgang Zacharias
From spring 2025, the Gropius Bau will present a comprehensive solo exhibition celebrating the groundbreaking and influential work of artist and activist Yoko Ono. Spanning seven decades of the artist’s powerful, multidisciplinary practice from the mid-1950s to now, YOKO ONO: MUSIC OF THE MIND will trace the development of her innovative work and its enduring impact on contemporary culture. The exhibition brings together over 200 works including instruction pieces and scores, installations, films, music and photography, revealing a radical approach to language, art and participation that continues to speak to the present moment.
Yoko Ono with Glass Hammer, 1967, HALF-A-WIND SHOW, Lisson Gallery, London, 1967, photo © Clay Perry / artwork © Yoko Ono