Concert | Orchestra Music | Chaya Czernowin 50
Also this year the major orchestra concert of MaerzMusik will be presented by Orchester des Konzerthauses Berlin under the baton of Johannes Kalitzke. The concert will include three major and magnificent works and shall be performed in honour of Chaya Czernowin’s 50th birthday.
The first piece will be György Ligeti’s Lontano, an orchestral work from 1967 that, together with Atmosphères (1961) and Volumina for organ has marked a paradigmatic change in the more recent history of composition: a counter-movement to serialism, based on serial experiences but focussing on sound and its microstructures, on the composition of colour and light, of areas and volumina.
The different approach to composing – not brought about by Ligeti alone – has since been continuously propelled by new ideas, not least in so-called spectral music.
Beat Furrer’s Phaos for orchestra, his Canti notturni, and Chaya Czernowin’s major cycle Maim continue the intricate work on the refinement of new sounds in colour and noise, on new gestures and expressions, on the experimenting with unusual combinations of sound and noise, and explore new ways of incorporating the complex interplay of individual voices and overall sound into the structures of multiple polyphonies and harmonic ramifications, into the well-known interaction of solo voice(s) and tutti.
19:00 Musikclub Introduction with Hella Melkert
György Ligeti
Lontano for large orchestra (1967)
Beat Furrer
PHAOS for orchestra (2006)
Canti notturni for two sopranos and orchestra (2006)
Chaya Czernowin
Maim – triptych for large orchestra and soloist quintet with tubax as main solo and live electronics (2001–2007) WP of the complete cycle/CW MaerzMusik and Konzerthaus Berlin (part II/III)
Maim I. Maim zarim maim gnuvim (strange water, stolen water) (2001/02, rev. 2005)
Maim II. The memory of water (2006)
Maim III. Mei Mecha’a (water of dissent) (2005/06)
Konzerthausorchester Berlin
Johannes Kalitzke – conductor
Rico Gubler – saxophone/tubax
John Mark Harris – piano/cembalo
Seth Josel – e-guitar
Mary Oliver – viola
Peter Veale – musette/oboe/English horn
Isolde Daum/Susanne Leitz-Lorey – soprano
Experimentalstudio für akustische Kunst e.V. Freiburg – Live-Elektronische Realisation
Michael Acker, Reinhold Braig, Thomas Hummel – sound direction
In cooperation with Konzerthaus Berlin, Wien Modern and Festival Torino, supported by Réseau Varèse – European Network for the Creation and Promotion of New Music