Dance

Four New Works

Lucinda Childs Dance Company

World Premiere 7 August 2024, International Summer Festival Kampnagel, Hamburg

Lucinda Childs pulls on a rope. The choreographer wears a dark grey jumpsuit and has grey hair.

Lucinda Childs in „Geranium ’64“ (2024) © Alexandra Polina

Lucinda Childs, one of the icons of post-modern dance, presents “Four New Works” with her Lucinda Childs Dance Company for the first time in Berlin, collaborating with visual artist Anri Sala, pianist Anton Batagov, and composers Philip Glass and Hildur Guðnadóttir. Along with new short pieces for the dancers of her company, a solo performed by the choreographer herself will be featured.

Beyond the Frame: Trisha Brown, Lucinda Childs and Judson Dance Theater
Tothe essay in the Berliner Festspiele Media Library


Programmebooklet

“Four New Works”, which will celebrate its premiere at Kampnagel in Hamburg in August 2024 and is co-produced by Berliner Festspiele, presents the first new works Lucinda Childs has developed in almost a decade with her company. The showcase not only allows an in-depth insight into the aesthetic cosmos and current creative work of the New York choreographer and dancer, but also highlights the progression of her work as one of the pioneers of post-modern dance for more than five decades. Her style is distinguished by minimalist and pure movement patterns, performed with pace and precision in countless repetitions and variations, unfolding a hypnotic pull.

“Actus”, a duet and the first of the works, is set to the cantata “Actus Tragicus” by Johann Sebastian Bach. Presumably composed for a funeral, Bach’s early cantata opens a moving dialogue about eternal life and earthly suffering, providing a comforting, but also sharp sound. “Actus” is followed by a new adaptation of an original solo from 1965 titled “Geranium ’64”, which is performed by Lucinda Childs herself. The solo continues Childs’ prolific collaborative record with video work by the renowned visual artist Anri Sala. The third piece on the programme, “Timeline”, is a new creation for seven dancers to unreleased music by the Icelandic composer, cellist and Academy Award Winner Hildur Guðnadóttir. The evening closes with “Distant Figure”, a new choreographic work for 6 dancers with music by Philip Glass. This final work will be accompanied live by Russian star-pianist Anton Batagov who will play the 2017 composition that Glass wrote for his long-standing artistic partner Lucinda Childs.

Lucinda Childs was born in New York City in 1940. In 1963, she began her career as a dancer, choreographer and founding member of the Judson Dance Theater in New York. Ten years later, in 1973, she founded her own company, for which she has created more than 50 works so far. She forged long-standing partnerships with artists like Philip Glass, Robert Wilson, Sol LeWitt, John Adams and Frank Gehry. She was introduced to the Berlin audience through Nele Hertling’s work at the Academy of the Arts. Since 1980, Lucinda Childs has been directing and choreographing works at major opera houses and for ballet companies such as the Ballet de l’Opéra de Paris, the Bavarian State Ballet, the Martha Graham Dance Company, the Los Angeles Opera or the Opéra national du Rhin. She has received numerous awards and distinctions: She was declared a Commandeur dans l’Ordre des Arts et des Lettres and received the Gold Lion at the 2017 Dance Biennale in Venice as well as the 2022 Dance Magazine Award. 

Programme

Actus (2024)

Duet, set to “Actus Tragicus” (BWV 106) by Johann Sebastian Bach in a recording by Takahashi | Lehmann

With Sharon Milanese, Caitlin Scranton

Geranium ’64 (2024)

Solo by and with Lucinda Childs
(off-stage counterweight: Kyle Gerry), based on Childs’ solo “Geranium” (1965), with the multimedia work by Anri Sala “For Geranium, 2024” (with excerpts from a radio broadcast of the 1964 NFL Championship game between the Cleveland Browns and the Baltimore Colts)

     Interlude
     “Lyrical Music” from “Unfamiliar Weapon OST” by Anton Batagov

Timeline (2024)

Choreography for ensemble with original music by Hildur Guðnadóttir

With Robert Mark Burke, Katie Dorn, Kyle Gerry, Sharon Milanese, Isaiah Newby, Matt Pardo, Caitlin Scranton

     Interlude
     “The Poet Acts” from “The Hours OST” by Philip Glass

Distant Figure (2024)

Choreography for ensemble to the composition “Distant Figure (Passacaglia for Solo Piano)” by Philip Glass, with Anton Batagov on piano

With Robert Mark Burke, Katie Dorn, Kyle Gerry, Sharon Milanese, Matt Pardo, Caitlin Scranton

Artistic Team

Lucinda ChildsChoreography
Lucinda Childs Dance Company: Lucinda Childs, Katie Dorn, Kyle Gerry, Robert Mark Burke, Sharon Milanese, Isaiah Newby, Matt Pardo, Caitlin Scranton – Dance
Johann Sebastian Bach, Philip Glass, Hildur Guðnadóttir – Music
Anri SalaVideo, Stage, Sound “Geranium ’64” (Programming: Dominik Hildebrand Marques Lopes, Studio Anri Sala)
Anton Batagov – Piano
Nile Baker – Costumes
Sérgio Pessanha – Light Design
Tricia Toliver, Ammara Shafqat – Production Management

Kampnagel International Summer Festival, The Blanket – Production
Berliner Festspiele, ChaillotThéâtre national de la Danse Paris, La Bâtie-Festival de GenèveCo-Production

Funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation). Funded by the Beauftragte der Bundesregierung für Kultur und Medien (Federal Government Commissioner for Culture and the Media). With the support of Dance Reflections by Van Cleef & Arpels, James Madison University School of Theatre and Dance, UCLA Center for the Art of Performance. “Distant Figure” was developed with the support of Pomegranate Arts. “Distant Figure (Passacaglia for Solo Piano)” © 2017 Dunvagen Music Publishers Inc., used by permission.