Christopher Gilmore designs for theatre, opera, dance and live performance. Recent designs include “El Niño: Nativity Reconsidered” (American Modern Opera Company: Opera Omaha, Stanford Live, Yale Schwarzman Center, St. John The Divine), Boston Ballet School: Next Generation 2023 (Boston Ballet), “Wine in the Wilderness” (Co-Design: Kathy Perkins, Two River Theatre), “Seven Deadly Spins” (La Jolla Music Society), Luke Hickey’s “A Little Old, A Little New” (The Joyce @ Chelsea Factory, American Dance Festival 2022, New Victory Dance Festival 2023), “With Care” (AMOC: 92Y), Ensemble Connect’s “Up Close: Through Movement” (Carnegie Hall), “CAGE” (AMOC), “Dirty Rotten Scoundrels” (NYFA). He worked as an Assistant/Associate for “Siegfried” (Virginia Opera), “Only an Octave Apart” (Spoleto Festival USA, Gate Theatre Dublin), “La Boheme” (Boston Lyric Opera, Opera Philadelphia), “Harawi” (AMOC: DeSingel, Bayer Leverkusen, Elbphilharmonie Hamburg), “Broken Theatre” (AMOC: Carolina Performing Arts, OZ Arts Nashville, La MaMa ETC), “Assembly” (Park Avenue Armory), “Trevor: A New Musical” (Stage42), “Radio Golf” (TRT), “Log Cabin” (Playwrights Horizons) as well as for multiple productions at American Repertory Theatre and Huntington Theatre Company. Gilmore graduated from Emerson College.
As of: September 2024