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Dippe, Yorck

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Beckmann, Lina

bernd-grawert

Grawert, Bernd

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Schwarz, Lena

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Strong, Kate

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Frank, Jennifer

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Kampwirth, Jan-Peter

michael-weber

Weber, Michael

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Hauptmann, Gerhart

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Bruns, Klaus

Directed by <a href="${link:{uuid:{7e093f3f-1428-479d-9509-0c845d65cfc9},repository:{artists},path:{/bfs-mediathek/H/Karin-Henkel}}}">Karin Henkel</a> Stage design Jens Kilian Costume design Klaus Bruns Music Mark Badur Lighting design Hartmut Litzinger Dramaturgy Sybille MeierHarro Hassenreuter Yorck Dippe Mrs. John Lina Beckmann Paul John Bernd Grawert Pauline Piperkarcka / Walburga Hassenreuter Lena Schwarz Alice R&uuml;tterbusch / Sidonie Knobbe / Mrs. Hassenreuter Kate Strong Selma Knobbe / Mrs. Kielbacke / Prince / Dog Jennifer Frank Erich Spitta / Bruno Mechelke Jan-Peter Kampwirth House-steward Quaquaro / Policeman Schierke Michael Weber

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Henkel, Karin

sybille-meier

Meier, Sybille

hartmut-litzinger

Litzinger, Hartmut

mark-badur

Badur, Mark

jens-kilian

Kilian, Jens

With this intelligent interleaving and thematization of comedy and drama, already combined by Gerhart Hauptmann, director Karin Henkel demonstrates how a naturalistic tragedy can unfold on today’s stage void of illusions. Lina Beckmann as Mrs John develops poignant tragedy with her both delicate and straightforward acting, Kate Strong presents wonderfully overwrought, stylized circus figures in various parts, Lena Schwarz delivers vociferous expressionist drama and Bernd Grawert steers his Paul John from a harmlessly affectionate father to the desperation of a Woyzeck, from day-to-day life into the abyss. Truly grand theatre.<a href="www.schauspielkoeln.de/" target="_blank" title="To the website of the Schauspiel K&ouml;ln">www.schauspielkoeln.de</a>

From a circuslike bizarre Felliniesque attic-store, a play emerges: The theatre’s devices take us to the depths of human misery and back. Mrs John has bought a child and claims that it is her own. Ever more stubborn, she follows her track of lies, with devastating consequences for all lives involved. Over-the-hill Director Hassenreuter wants to own a theatre again, one that will bring an audience and some cash, so he cheerfully bends towards all sides, with adverse implications for the theatre.

Theatertreffen

Theatertreffen 2013

Theatertreffen 2013: Die Ratten

Haus der Berliner Festspiele

Die Ratten

Haus der Berliner Festspiele, Große Bühne

Haus der Berliner Festspiele, Main&nbsp;Stage

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The 2025 Open Call

This Open Call for the International Forum is addressed at artists at the beginning of their artistic practice who have already gathered some initial professional experience. They may be from all sectors of the performing arts, especially from the fields of directing, acting, set and costume design, dramaturgy, text production, music, video, performance, media, choreography, production management and theatre education.Around 35 artists from around the world will be invited to come to Berlin, to watch theatre together, to talk, to (re-)consider, to experiment and to make connections. The fellows will have the opportunity to attend the festival, to take part in intensive workshops with international artists, to reflect together the productions invited to Theatertreffen and theatre in general and to exchange ideas.Deadline for applications: 5 December 2024 (23:59, CET)

International Forum

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Key Visual Theatertreffen 2025

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On 26 January, the Theatertreffen’s jury of critics announced their selection of 10 remarkable productions for the 2024 Theatertreffen at a press conference. Our congratulations go to the nominated production teams and all participants!

The 10 Remarkable Productions 2024

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A new edition of “BURNING ISSUES x Theatertreffen” is in planning under the title “PERFORMING ARTS &amp; SOLIDARITY”, in co-operation with Szenografie-Bund as well as with Deutsches Theater Berlin and Sophiensaele. The Theatertreffen-programme, which will feature a range of discursive formats and keynotes, is being developed by Nora Hertlein-Hull together with dramaturgs Aljoscha Begrich and Sima Djabar Zadegan with reference to the ten selected productions.&nbsp; Nele Hertling will receive the Theatre Prize Berlin of Stiftung Preu&szlig;ische Seehandlung for her services to the theatre. As Theatertreffen’s long-standing media partner, 3sat will present especially produced TV-recordings of productions invited to the festival in its programme. This year’s “Starke St&uuml;cke” are: “Bucket List” (Schaub&uuml;hne am Lehniner Platz), “Laios. ANTHROPOLIS II” (Deutsches SchauSpielHaus Hamburg) and “Macbeth” (Schauspielhaus Bochum).&nbsp; The programme schedule of the 2024 Theatertreffen will be published on 5&nbsp;April; ticket sales begin on 19&nbsp;April.&nbsp;

Preparations Are Underway for the 2024 Edition of the Festival

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The Theatertreffen invites 30 exciting artists from all parts of the world to attend and reflect the festival and to exchange ideas and experiences across artistic and national boundaries. We are very much looking forward to welcoming all participants and thank everyone for their applications! More than 700 artists from 75 countries responded to the Open Call published in the autumn of 2023.

The 2024 International Forum Participants

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“Reviews are the worst thing about this job,” comments director Jette Steckel, who was invited to the 2023 Theatertreffen with “Die Vaterlosen”, in a guest article written for the Theatertreffen-Blog. Here young art journalists took a critical look at the 10 productions and themes all around the Theatertreffen. Reviews, essays and interviews were published continuously throughout the festival. You can read, for example, about “Lord of the Rings” fan Leonard Haverkamp’s experience of the accessible installation “Riesenhaft in Mittelerde”™ or Marta Ivkić’s review of “Bucket List”. And you can also learn more about the creative interactions of the 29 participants in the International Forum in Elliot Douglas’s article “The power of collaborative theatre”.

Perspectives on Theatertreffen

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Theatertreffen 2024: Impressionen

Theatertreffen 2024: Impressions

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Impressions

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A Play Space for Kids

Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an admission-free play space for kids at the Gropius Bau. Here, the everyday rules of art institutions don’t apply: children have free reign and can have fun.

BAUBAU

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Simple, almost sparse movements – fluid and highly dynamic, with countless repetitions and variations – characterise “Dance”. This piece by choreographer Lucinda Childs premiered in 1979 and amalgamates dance, music by Philip Glass and projections by Sol LeWitt into a meditative rapture. &nbsp;

Dance

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“MOMO” has two souls. One sends long roots to the depths of the earth – a soul that embodies archetypes and myths of hardened, raw masculinity, and the other is in a constant search for an individual and distinct DNA. A shared passion of deep sorrow and beauty unfolds on stage.

MOMO

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MaerzMusik 2025 opens with “MELENCOLIA”, an experimental music theatre show by Brigitta Muntendorf and Moritz Lobeck. In immersive soundscapes, musicians from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden invite the audience to explore the creative and transformative power of melancholic worlds. Tickets are available now. &nbsp;

MELENCOLIA

More Berliner Festspiele

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The selection of prizewinners for the Treffen junger Autor*innen has been announced. From almost 400 applications, a jury has selected 20 young writers whose texts deal with the big themes of being human, feminist freedom and trauma, among others. The programme has been published and tickets are available now.

Treffen junger Autor*innen

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In an austere landscape, a droll group of travellers discovers “The Garden of Delights” (Le jardin des délices) by French director and set designer Philippe Quesne and his Vivarium Studio. They recollect fragments of past culture and imagine themselves in the utopia of a different life in uncertain times.

The Garden of Delights

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With three works created over a period of more than 40 years, the Performing Arts Season dedicates an evening to the American choreographer Trisha Brown, looking at her artistic work and its continuation after her death in 2017 as if under a magnifying glass.

Glacial Decoy / In the Fall / Working Title

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The recordings of “Bucket List”, “Laios. ANTHROPOLIS II” and “Macbeth” – the three 2024 “Starke St&uuml;cke” of 3sat – will be accessible in the 3sat Media Library and the Media Library of Berliner Festspiele from 2 May to 30 August 2024 (“Bucket List” until 2 May 2027). Selected events, texts and archival material are also available in the Berliner Festspiele Media Library.

In the Media Library

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Each year, 10 remarkable productions are selected by a jury of critics from up to 600&nbsp;shows within the German-language region and the viewing period.

The 10 Productions

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The topics addressed in the selection inspire us to engage with the urgent issues of our times.

Audience Talks &amp; Further Programme

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The International Forum is the initial spark for global collaboration, alliances and actions as well as the platform for collective dialogue on global issues from diverse, local perspectives.&nbsp;

International Forum

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Aspiring arts journalists, authors and theatre enthusiasts will attend and critically reflect the Theatertreffen with the support of experienced mentors.

Theatertreffen-Blog

At a Glance

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Open Call 2024

This Open Call of the Theatertreffen-Blog is aimed at aspiring arts journalists, authors and theatre enthusiasts who would like to attend and critically reflect the 2024 Theatertreffen.Deadline for applications: 11 February 2024

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Each year, the Theatertreffen brings the 10 most remarkable productions from the German-language region as well as the works of emerging artists to Berlin.