angelika-krautzberger

Krautzberger, Angelika

annette-paulmann

Paulmann, Annette

marianne-russ

Russ, Marianne

lasse-myhr

Myhr, Lasse

tim-erny

Erny, Tim

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Krappatsch, Sylvana

christian-loeber

L&ouml;ber, Christian

risto-kuebar

K&uuml;bar, Risto

idem-teke

Teke, Çiğdem

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Puls, Wiebke

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Noch, Jochen

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Williams, Tennessee

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Martin, Pascale

Directed by <a href="${link:{uuid:{bccdd079-0bc7-47ef-bc32-4cfeb14140d6},repository:{artists},path:{/bfs-mediathek/N/Sebastian-N-bling}}}">Sebastian N&uuml;bling</a> Stage design Eva-Maria Bauer Costume design Pascale Martin Music Lars Wittershagen Lighting design Stephan Mariani Dramaturgy Julia LochteDolly Hamma Angelika Krautzberger Beulah Billings / Nurse Porter Annette Paulmann Pee Wee Billings Lasse Myhr Dog Hamma Tim Erny Carol Cutrere Sylvana Krappatsch Uncle Pleasant Christian L&ouml;ber Val Xavier Risto K&uuml;bar Vee Talbott Çigdem Teke Lady Torrance Wiebke Puls Jade Torrance / Sheriff Talbott Jochen Noch David Cutrere Lasse Myhr Eva Temple Marianne Russ

sebastian-nuebling

N&uuml;bling, Sebastian

julia-lochte

Lochte, Julia

stephan-mariani

Mariani, Stephan

lars-wittershagen

Wittershagen, Lars

eva-maria-bauer

Bauer, Eva-Maria

A chain swing carousel hangs from the flies, incomplete to begin with. One by one, grocery store owner Lady Torrance fits light bulbs and seats, trying to make it fit to run. She is assisted by Val, a night club singer lost in Williams’ bourgeois Hades like Orpheus in the underworld. An awkward romance buds between the careworn lady played by Wiebke Puls and the elusive Val. Played by Estonian actor Risto K&uuml;bar, he doesn’t only epitomize the foreign, he represents everything different per se. This sad couple’s attempt to break society’s chains ends in most cruel failure. The majority pack barks its threats and finally bites with no mercy. A terribly beautiful production of timeless significance.<a href="www.muenchner-kammerspiele.de/" target="_blank" title="To the website of the M&uuml;nchner Kammerspiele">www.muenchner-kammerspiele.de</a>

A rarely performed play about a repressive society hounding outsiders. Sebastian N&uuml;bling resists the temptation to update it at all costs. And yet he lifts it from the specific small-town cosmos designed by Tennessee Williams.

Theatertreffen

Theatertreffen 2013

Theatertreffen 2013: Orpheus steigt herab

Haus der Berliner Festspiele

Orpheus steigt herab

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The 2025 Open Call

This Open Call for the International Forum is addressed at artists at the beginning of their artistic practice who have already gathered some initial professional experience. They may be from all sectors of the performing arts, especially from the fields of directing, acting, set and costume design, dramaturgy, text production, music, video, performance, media, choreography, production management and theatre education.Around 35 artists from around the world will be invited to come to Berlin, to watch theatre together, to talk, to (re-)consider, to experiment and to make connections. The fellows will have the opportunity to attend the festival, to take part in intensive workshops with international artists, to reflect together the productions invited to Theatertreffen and theatre in general and to exchange ideas.Deadline for applications: 5 December 2024 (23:59, CET)

International Forum

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Key Visual Theatertreffen 2025

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On 26 January, the Theatertreffen’s jury of critics announced their selection of 10 remarkable productions for the 2024 Theatertreffen at a press conference. Our congratulations go to the nominated production teams and all participants!

The 10 Remarkable Productions 2024

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A new edition of “BURNING ISSUES x Theatertreffen” is in planning under the title “PERFORMING ARTS &amp; SOLIDARITY”, in co-operation with Szenografie-Bund as well as with Deutsches Theater Berlin and Sophiensaele. The Theatertreffen-programme, which will feature a range of discursive formats and keynotes, is being developed by Nora Hertlein-Hull together with dramaturgs Aljoscha Begrich and Sima Djabar Zadegan with reference to the ten selected productions.&nbsp; Nele Hertling will receive the Theatre Prize Berlin of Stiftung Preu&szlig;ische Seehandlung for her services to the theatre. As Theatertreffen’s long-standing media partner, 3sat will present especially produced TV-recordings of productions invited to the festival in its programme. This year’s “Starke St&uuml;cke” are: “Bucket List” (Schaub&uuml;hne am Lehniner Platz), “Laios. ANTHROPOLIS II” (Deutsches SchauSpielHaus Hamburg) and “Macbeth” (Schauspielhaus Bochum).&nbsp; The programme schedule of the 2024 Theatertreffen will be published on 5&nbsp;April; ticket sales begin on 19&nbsp;April.&nbsp;

Preparations Are Underway for the 2024 Edition of the Festival

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The Theatertreffen invites 30 exciting artists from all parts of the world to attend and reflect the festival and to exchange ideas and experiences across artistic and national boundaries. We are very much looking forward to welcoming all participants and thank everyone for their applications! More than 700 artists from 75 countries responded to the Open Call published in the autumn of 2023.

The 2024 International Forum Participants

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“Reviews are the worst thing about this job,” comments director Jette Steckel, who was invited to the 2023 Theatertreffen with “Die Vaterlosen”, in a guest article written for the Theatertreffen-Blog. Here young art journalists took a critical look at the 10 productions and themes all around the Theatertreffen. Reviews, essays and interviews were published continuously throughout the festival. You can read, for example, about “Lord of the Rings” fan Leonard Haverkamp’s experience of the accessible installation “Riesenhaft in Mittelerde”™ or Marta Ivkić’s review of “Bucket List”. And you can also learn more about the creative interactions of the 29 participants in the International Forum in Elliot Douglas’s article “The power of collaborative theatre”.

Perspectives on Theatertreffen

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Theatertreffen 2024: Impressionen

Theatertreffen 2024: Impressions

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Impressions

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A Play Space for Kids

Playing, laughing, making noise, letting off steam, doing nothing – all in an exhibition venue! With BAUBAU, the artist Kerstin Br&auml;tsch designed an admission-free play space for kids at the Gropius Bau. Here, the everyday rules of art institutions don’t apply: children have free reign and can have fun.

BAUBAU

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Simple, almost sparse movements – fluid and highly dynamic, with countless repetitions and variations – characterise “Dance”. This piece by choreographer Lucinda Childs premiered in 1979 and amalgamates dance, music by Philip Glass and projections by Sol LeWitt into a meditative rapture. &nbsp;

Dance

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“MOMO” has two souls. One sends long roots to the depths of the earth – a soul that embodies archetypes and myths of hardened, raw masculinity, and the other is in a constant search for an individual and distinct DNA. A shared passion of deep sorrow and beauty unfolds on stage.

MOMO

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MaerzMusik 2025 opens with “MELENCOLIA”, an experimental music theatre show by Brigitta Muntendorf and Moritz Lobeck. In immersive soundscapes, musicians from Ensemble Modern and the Apollo Choir of the Staatsoper Unter den Linden invite the audience to explore the creative and transformative power of melancholic worlds. Tickets are available now. &nbsp;

MELENCOLIA

More Berliner Festspiele

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The selection of prizewinners for the Treffen junger Autor*innen has been announced. From almost 400 applications, a jury has selected 20 young writers whose texts deal with the big themes of being human, feminist freedom and trauma, among others. The programme has been published and tickets are available now.

Treffen junger Autor*innen

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In an austere landscape, a droll group of travellers discovers “The Garden of Delights” (Le jardin des délices) by French director and set designer Philippe Quesne and his Vivarium Studio. They recollect fragments of past culture and imagine themselves in the utopia of a different life in uncertain times.

The Garden of Delights

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With three works created over a period of more than 40 years, the Performing Arts Season dedicates an evening to the American choreographer Trisha Brown, looking at her artistic work and its continuation after her death in 2017 as if under a magnifying glass.

Glacial Decoy / In the Fall / Working Title

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The recordings of “Bucket List”, “Laios. ANTHROPOLIS II” and “Macbeth” – the three 2024 “Starke St&uuml;cke” of 3sat – will be accessible in the 3sat Media Library and the Media Library of Berliner Festspiele from 2 May to 30 August 2024 (“Bucket List” until 2 May 2027). Selected events, texts and archival material are also available in the Berliner Festspiele Media Library.

In the Media Library

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Each year, 10 remarkable productions are selected by a jury of critics from up to 600&nbsp;shows within the German-language region and the viewing period.

The 10 Productions

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The topics addressed in the selection inspire us to engage with the urgent issues of our times.

Audience Talks &amp; Further Programme

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The International Forum is the initial spark for global collaboration, alliances and actions as well as the platform for collective dialogue on global issues from diverse, local perspectives.&nbsp;

International Forum

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Aspiring arts journalists, authors and theatre enthusiasts will attend and critically reflect the Theatertreffen with the support of experienced mentors.

Theatertreffen-Blog

At a Glance

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Each year, the Theatertreffen brings the 10 most remarkable productions from the German-language region as well as the works of emerging artists to Berlin.