A man in front of a tiled blue wall looks into the camera.

Trajal Harrell © Bea Borgers

Trajal Harrell

Trajal Harrell came to visibility with the „Twenty Looks or Paris is Burning at The Judson Church“ series of works which theoretically juxtaposed the voguing dance tradition with the early postmodern dance tradition. He is now considered as one of the most important choreographers of his generation. His work has been presented in many American and international venues including The Kitchen (NYC), New York Live Arts, TBA Festival (Portland), Walker Arts Center (Minneapolis), American Realness Festival, ICA Boston, Philadelphia Fringe Festival, LA’s RedCat Theater, Festival d’Automne (Paris), Holland Festival (Amsterdam), Festival d’Avignon, Impulstanz (Vienna), Tanz im August (Berlin), and Panorama Festival (Rio de Janeiro) among others. He has also shown performance work in visual art contexts such as MoMA, MoMA PS1, Perfoma Biennial, Fondation Cartier (Paris), The New Museum (New York), The Margulies Art Warehouse (Miami), Stedelijk Museum (Amsterdam), Serralves Museum (Porto), The Barbican Centre (London), Centre Pompidou- Paris and Metz, ICA Boston and Art Basel-Miami Beach. He has been awarded the Guggenheim Fellowship; The Doris Duke Impact Award, a Bessie Award for Antigone Sr./Twenty Looks or Paris is Burning at The Judson Church (L); as well as fellowships from The Foundation for Contemporary Art, Art Matters, and the Saison Foundation, among others. In 2016, he completed a two-year Annenberg Residency at MoMA, where he has turned his attention to the work of the Japanese founder of butoh dance, Tatsumi Hijikata. By looking at butoh through voguing’s theoretical lens of “realness” and modern dance through the theoretical lens of butoh, Harrell is creating a number of works which combine a speculative view of history and the archive with contemporary dance practice and composition. Most recently, he has become well-known for „Hoochie Koochie“, the first survey (1999–2016) and performance exhibition of his work, presented by the Barbican Centre Art Gallery in London during July–August 2017.

As of February 2019