Dance

Nederlands Dans Theater

“Shoot the Moon”
“Stop-Motion”
“Thin Skin”

Premiere “Shoot the Moon“: 27 April 2006, Lucent Danstheater Den Haag
Premiere “Stop-Motion”: 29 January 2014, Lucent Danstheater, Den Haag
Premiere “Thin Skin”: 28 January 2015, Lucent Danstheater Den Haag

Nederlands Dans Theater © Rahi Rezvani

Nederlands Dans Theater. Shoot the Moon © Rahi Rezvani

From 28 to 31 October 2015 Nederlands Dans Theater will be on stage in Berlin for the first time in 15 years. NDT is proud to show the work of its house choreographers Sol León and Paul Lightfoot and to also present the latest creations of its associate choreographers Crystal Pite and Marco Goecke!

<h2>Shoot the Moon</h2>

In “Shoot the Moon” you catch glimpses of the love life of three different couples. Revolving walls covered in black-and-white wallpaper create three separate rooms, each containing its own love story. The door and windows to the other room seem to be simultaneously open and closed; accessible yet unattainable. New worlds beckon behind them, yet to they are always out of reach. “Shoot the Moon” is about the one thing that can create or change it: the emotions hidden inside our relationships.

<h2>Stop-Motion</h2>

“Stop-Motion” was created by resident choreographers Sol León and Paul Lightfoot for the NDT 1 repertoire. The ballet premiered on 29 January 2014. On melancholic music by Max Richter seven dancers depict a process of farewell and transformation. As ephemeral as the dust, they grace the stage like ghosts or spirits; lighting up in and fading out. In this way, many elements in “Stop-Motion” address the notions of past and future and how they merge into the present. This is reinforced by large screens that show delayed video projections, which include their daughter Saura. Stop-Motion was critically acclaimed and received four stars in the press.

<h2>Thin Skin</h2>

Marco Goecke’s latest premiere for NDT 1 “Thin Skin” is a homage to the punk rock icon and poet Patti Smith. The singer’s rhythmically elaborate, sometimes breathless-sounding lyrics form a visually and acoustically powerful synthesis with Goecke’s very particular frenetic language of movement. “Mind is a picture. And there in the corner is the hint of a spiral. Perhaps it is a virus; perhaps it is a spirit tatoo”, writes Smith, and Goecke’s dancers, whose skin is covered in countless tatoos, create dream worlds that are permanently changing. The dance remains elusive, but it gets under the skin, the skin of the thin-skinned.

Shoot the Moon
Choreography by Sol León and Paul Lightfoot
Music Philip Glass: Movement II from “Tirol Concerto for piano and orchestra”
Light Tom Bevoort
Stage design and costumes Sol León and Paul Lightfoot

Stop-Motion
Choreography by Sol León and Paul Lightfoot
Assistant to the choreographer Anders Hellström
Music Max Richter: “Ocean House Mirror”, “Powder Pills Truth”, “He is here”, “Everything is burning”, “November”, “Monologue”, “A lover’s complaint”, “On the Shore”, “End title”, “Sorrow Atoms”, “How to die in Oregon”
Light Tom Bevoort
Stage design Sol León and Paul Lightfoot
Costumes Joke Visser, Hermien Hollander
Video Sol León and Paul Lightfoot (concept), Rahi Rezvani (camera and direction), Dicky Schuttel (camera), Dicky Schuttel, Harmen Straatman (editing)
Special thanks to Stefan Zeromski, Saura Lightfoot-León and Hector the falcon

Thin Skin
Choreography Marco Goecke
Dramaturgy Nadja Kadel
Music Patti Smith: “Godspeed”, “Wave”, “Fire of unknown origin”, “Birdland”, “Come back little Sheba”, “Abyssinia”. Keith Jarrett: excerpt of “The Bremen Concert Part II” (1973).
Light Udo Haberland
Stage design and costumes Marco Goecke